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This French drama takes a gentle poke at the youthful ideologies of the post-hippy 70's. Fabio and Alain are teenagers with widely differing backgrounds and philosophies. Fabio is a rebellious Stalin quoting, left-winger from a lower middle-class family. He dreams of being a rock star even though he can't play a note. Alain, a soft-spoken boy from a middle-class family prefers to quote Plato. Alain is attracted to Fabio's enthusiastic talk on political activism. When the local press accuses them of terrorism after they toss a rock through a window they are initially delighted. Their delight is short-lived when they realize that may be blamed for some of the real terrorism the town has been experiencing.
A work-obsessed inventor uses a video-telephone to spy on his girlfriend, who in turn uses film to teach him a lesson. (MoMA)
Accomplished musician Blanche Ladoré (played by “Léontine”) places a personal ad in the paper wishing to marry an “equally talented musician.” Rémi Lacroche responds to her call. They meet in public, she with her trombone and he with his bass drum. It’s love at first sight but public noise disturbance to all within earshot. They wreak such havoc they end up in the police station!
Vigo must meet Camille at the cinema. In the meantime, he's stressed.
Four sketches revolving around the themes of luck and love.
A commissioner and a former examining magistrate are asked to find a woman, whom they both loved, just disappeared.
Love & Sex under Nazi Occupation questions the burning mystery of intimate heterosexual and homosexual relations in times of war... and shows how being close to death reinforces the yearning for passion, for pleasure, for transgression, for desire as a last burst of freedom, as an ultimate call to life. Nearly two hundred thousands children are thought to be born of the union of French women with German soldiers. Women weren't the Germans' only conquests; indeed, occupied Paris swarms with all kinds of homosexuals—from Genet to Cocteau—who treated with the occupier. The fate of those women who were shaved at the end of the war for fraternizing with Germans is the punishment of a France that lied down and slept with the enemy.
A young girl, Christiane, leaves her family to join friends with whom she intends to "make a life". Two boys, Jo and Paul, look after the heroine, whose relations seem rather shady. Jo, a guide in a tourist agency specializing in nightlife in Paris, has a "shadow" of his own in the scatterbrained Annette, who is determined to marry him. While touring the capital's cabarets, Jo meets a model, Jacynthe, and her photographer, Daniel, as well as a star, Jackie, and her manager, Helios. The latter organizes a mock jewel robbery for publicity purposes, with Jackie as the victim. But contrary to expectations, the robbery takes place.
In Russia, love, sex and family are personal matters. But increasingly, they are also political ones: Putin himself is a vocal proponent of patriarchy and large families. This is especially challenging for women, young people and the LGBTQIA community. Through a steady dose of propaganda, the state is attempting to reinforce outdated gender roles - in part, to combat the country's shrinking population. But the majority of Russian marriages fail. The most common causes include the husband's alcoholism, domestic violence or infidelity. Yet single mothers receive little support, protection, or even recognition from the state. The LGBTQIA community, or couples who do not fit into the "traditional" family model, face stigmatization and violence. But there are pockets of resistance. In Moscow, for example, a small group of young people is organizing a sexual revolution of sorts. Their goal? To break free of both the Christian Orthodox Church and the Russian state’s rigid dogmas.
Madame Millois, an ambitious mother, thinks she has found the perfect match for her daughter Arlette, Count de Tremblay-Matour. Alas, the ideal husband happens to be a crook. On the night of the wedding, the fake nobleman robs his wife and abandons her. While the outraged Madame Millois looks for the real Count de Tremblay, Arlette seeks consolation with Maxime, a childhood friend. At last, the real count is found. Unsurprisingly, he is furious to learn that, legally, he is Arlette's husband. After a while though, he mellows and accepts to "remain" Arlette's husband.
Franco-italo-germano-burkinabè documentary realised by Christian Lelong and Maria Silvia Bazzoli
Get to know one of the youngest countries in the world from an unusual point of view. In a country full of contradictions, strict Orthodox rules are mixed with sexual looseness... The documentary is a collage of several stories of contemporary Israelis who represent different social and religious groups and provides a holistic picture of the love sphere in one of the most contradictory states. We will see a modern Orthodox Jew, Lior, who is looking forward to marrying a strongly religious young man, with whom she has not even tied the knot yet, or a young Jewish couple who are prevented from having a church ceremony due to their parents' foreign origin, and who must have their civil ceremony abroad, since civil marriages they do not exist in Israel. We will also not forget the relationships between young soldiers of both sexes, since military service is compulsory in this country for both boys and girls, homosexual relationships,
