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Théâtre de la Porte Saint-Martin , Paris From 16 janvier to 28 avril 2018. The Game of Love and Chance (French: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.
Antoine and Marina spend their holidays in a club near the Mediterranean sea. They hope to find again a bit of intimacy. But at nearly forty, after years of marriage and two children, desire can be quite capricious. Despite all, Antoine and Marina can land on their feet!
A woman sweeps the floor, then hands the broom to a man: he sweeps a bit, and hands it back to her. In this film, named after Vasari’s biography of Giorgione, man and woman reenact Manet and Titian, switch places, and in so doing, exchange their nudity and the gaze that seeks it. In voiceover, a woman reads a letter telling of her efforts to sign up her daughter in daycare ; other kafkaesque situations follow, drawing wth humour the picture of a life of submission to an absurd administrative power. In the frame, birds and their choreographies echo the wanderings of the two characters in the Camargue countryside. (Nathan Letoré)
A staging of Marivaux's play "The Game of Love and Chance" by Galin Stoev.
Maya Souratis Student Film about a man struggling with depression in search of light.
"What Life Took From Me" is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Bodas de odio, produced by Ernesto Alonso in 1983. In 2003, "True Love", the first remake, was produced by Carla Estrada. Unlike Bodas de odio and "True Love", "What Life Took From Me" has been adapted to the present time.
Helena and Luciana are two supermodels with completely opposite personalities: the first is stormy and spoiled, while the second - being older - is patient and restrained. Their fate changes when Helena becomes involved with Marcos, Luciana's father, an older man recently divorced from a former model, Tereza, who does not accept the end of the marriage.
Caroline and Olivier are sixteen, in love and would like nothing more than to be left alone. Unfortunately, be it parents, grandparents or even teachers, everyone seems to want to meddle and interfere in their affairs.
An unseen photographer works hard to create perfect images of marital bliss. Yet the events beyond the edges of the frame tell a very different story.
In the early 70s, Barbara discovered herself backstage on her French tour. The artist plays with intimacy and camera glances. Between concerts, she talks to herself and the men in her life.
