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In QUANDO DAL CIELO, Italian filmmaker Fabrizio Ferraro rises to the challenge of filming music, or rather filming musicians in the midst of the creative act to reinforce the idea that the dimension of listening is active.

The three ex-wives of a real estate developer join forces to get revenge on him.

At the Vélodrome d'Hiver, at the height of the sports competitions, the director of the house is found murdered. We also stole the recipe for the show. A swarm of private detectives, second-hand sleuths, embark on the most diverse tracks. Arrests pile up and the chase continues amid the non-stop games. The culprit will however be caught, red-handed, by a young inspector wearing a handsome mask.

At an island penal institution, new prisoners are brought in one-by-one, and introduced to the harsh realities of prison life. They are put in fetters, sent to perform hard physical labor, and treated brutally. One convict manages to cut through the bars on his cell window. He climbs out, steals a boat, and begins a desperate attempt to escape from the island.

On Valentine's Day, the romantic Icaro wants to propose to his girlfriend Vanilla in their favorite restaurant. But chef Dimitri pulls out all the stops to make sure young Icaro fails.

Jérémie and Bild, two riders, arrive in a community that lives along the river Fango. It was Mathilde who founded her, a woman who left husband and baby to flee urban society. All live in happiness away from the world, without thinking either of work or money. Bild believes he is the child abandoned by Mathilde, while Jeremiah is attracted to his daughter, Maurine. When Bild dies, Jeremiah learns that he is the son of Matilda and that consequently Maurine is his sister. He takes to flight ...

Eric, owner and CEO at a web ad agency, is launching a new discreet dating site for married people. Success seems at arm's length until Elyse, a young woman struggling to overcome her repulsion of intimate encounters, decides to seek justice.

One hundred and twenty years of film history in a warehouse in Paris. In the reserves of the French Cinematheque, where thousands of cameras and projectors are sleeping on the shelves. Thousands of stationary machinery, we dream of getting back to work as a great machine back in time. To tell their story, the material history of cinema.

Edouard and Suzanne Mouradian often babysit their grandchildren. Grandad plays violent computer games and we see him entrust his frustrations – that often end in violent fantasies and thoughts of genocide – to the PC in writing.

Short humorous snippets of marijuana use.

During a plane crash, Professor Sellier, an atomic scientist carrying very important documents, dies and his papers are stolen. Bordy, a sergeant in the Second Bureau, is asked to take Sellier's place in his family's home, in order to make the kidnappers believe that he is not dead.

There is no denying that autobiographical intentions and introspection have their pitfalls. But a man's voice off screen sets the tone from the start: "There is no such thing as a private diary. The very expression is nonsensical." No chance then to see outpourings, confessions or explanations.