As Long As You Are Here, Streaming avec sous-titres en Français, as long as || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Sami, a young student, is accused of murdering a woman he met at a party. Isabelle, a whimsical lawyer, will agree to defend him...
Nagi Oshima quits her job, cuts off everybody she knows (including her boyfriend), quits social media and cancels her cellphone. To restart her life, she moves to an old apartment in the suburbs of Tokyo. She wants to have a pleasant and free life, not caring about other people.
A theatrical re-edit/summary of the TV series. Some of the voice actors were changed (eg. Oscar is played by Keiko Toda instead of re-using the original audio by Reiko Tajima).
This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.
Ben is a middle-aged diver, William is a teenager. Their world will connect for a time suspended moment, they will let go through their sorrow under the music’s salvating and liberating flow.
Blinded because of Orhan, Ayse falls in love with Orhan, whose face she cannot see. However, Ayse's possibility to see will cause a dilemma for Orhan, who is afraid of losing her.
Following a trivial road accident, Ariane, an international adventuress, falls in love with Bernard Fleuret, a young artist-painter with diseased lungs. Being pursued by the police, she chooses to hide in the sanatorium where the young man is treated. Ariane proves so smitten by love that she finally changes her ways: she decides to let herself be arrested, sure as she is she will be reunited with her loved one later on.
A young man has college and a failed business behind him. Unemployed and planning his next steps he is lodging with is mother, a small business owner. His sister and her family also move in with the two, albeit temporarily. She sees him as a loser and a lush and wants him out. She also whispers in their mother's ear to ask him to leave the house in order to find his own way and begin the rest of his life. She probably has noble intentions, but is she right and will she succeed?
Inspired by a shocking incident at a factory in northeastern China in the mid-90s, this astonishing debut film portrays people struggling amidst rapid changes in the status quo. The production of the gunfight in the latter part is superb. A surprising directorial debut on a large scale.
Writer/Director Bruce Reisman pays homage to the Golden Age of Broadway during the summer of 1948. Inspired by true events, this is the story of private, often forbidden romances of legends from Montgomery Clift to Richard Rodgers, told through the perspective of 24-year-old Sidney Lumet. This special director’s cut adds 12 minutes of previously-unseen footage.
The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household --- including the maid --- fall for the singer's charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting, not the singer, but Bentley's wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.
Saint-Nazaire, the shipyards. Tiny little men on gigantic machines, boats that will sail away: between the workers' every day life, the sailors' experience and the dream of seeing the world, how can imagination still have a place in an industrial world?
