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COVID-19 disrupted Bear’s thesis film project. Even worse, he got stuck with his nosy mother, a situation that mirrors his own thesis film.
The cold, the snow, winter in black and white, all to reinforce missing the warmth, colours and scents of Tunisia.
With no motion-picture rating system in place in China, films must be deemed suitable for all audiences in order to be shown. Officially, the censorship system is designed to promote Confucian morality, political stability and social harmony, which means that features are often removed from reality and didactic in tone. Enter upcoming director Wang Jinsong, whose How Far Tomorrow? is one of the very first Chinese movies to tackle the grim reality of rising recreational drug use head-on. Following in the footsteps of modern classics such as Requiem for a Dream and 21 Grams, the film follows happy wife and mother Yu Lanben, whose life spirals out of control when she stumbles across her town’s seedy underbelly and quickly falls victim to addiction. A blistering critique of China’s public welfare system and the dangerousness of excess, as well as a groundbreaking work of social realism, this is a trailblazing vision from a filmmaker whose star is very much the rise.
Two young men are traveling through countryside on train and on foot. A night of paranoid ramblings and melancholic flashbacks reveals their reasons and underlines the tension.
The robinsonade of the Polish settler of the XIX century Mikhail Yankovsky in the Far East today directly rhymes with the national project "Far Eastern Hectare". Already 78 thousand people have taken advantage of the unprecedented support of the state and have taken land to dare in the fields of free farming. Twenty–year-old descendant of Mikhail Yankovsky - Egor Bordovsky goes from St. Petersburg to Vladivostok to find himself and master his hectare. Having lost contact with his son, his father also goes to the Far East after Egor.
A classic South African comedy in which a young Jamie Uys plays producer, writer, director and star, and his wife Hettie Uys the romantic interest. Somewhere in the bushveld, Hans Botha is doing the usual farm rounds when his friend and neighbour comes around with an urgent request: please collect the new teacher at the bus stop. The shy Hans is alarmed, saying he does not know how to talk to women. Prevailed on nevertheless, Hans sets off in his old jalopy, which for good measure has no brakes. He eventually arrives at the bus stop, where the teacher, Martie, is waiting patiently. She is pretty and young and the already flustered Hans proceeds to flatten her hatbox, allow the car to run off with her, and dump her in the river. By the time Hans says goodbye, Martie is angry and he is in love
"Far from home" is inspired by the problem of the museum-cultural tradition on the soil of Macedonia and the foreign military monuments, military landmarks and military buildings on our territory from the beginning of the twentieth century.
From saved memories of a long journey, a letter is sent to the future. Alone, away from home and on the eve of her 30th birthday, a Brazilian is on a journey through Africa. In the letter to her daughter, she tells of encounters with women living in their cultures and times. A diary, a road movie and an invitation to all the people who lead their own paths.
Since her husband left to live in Brazil years ago, Juliette has lived alone in a vast Normandy estate, with only a grumpy housekeeper, Honorine, for company. Nevertheless, she puts on a happy face and looks forward to the traditional Mother's Day celebrations with her five children and their offspring. Benoît arrives first, accompanied by his boyfriend, Kim. Then come Isabelle, married to a gym teacher, and Laurent, her twin brother. Still missing are Sophie, the family's star TV journalist, and Marc, the eldest son, a wealthy businessman. Relations between the siblings are rather strained, until Juliette learns that her husband, seriously ill, has returned from Brazil and invites them all to his home.
Risa is a Japanese teenager that is on a field trip in Mexico. She gets lost in a restaurant in the middle of nowhere and a Mexican boy will try to help her.
Forty years ago, the first film about the Jordbro families was released. The latest one came out in 2006. When Rainer Hartleb once more trains his camera on the families, the children of the Jordbro children have grown up and live far from the area where the Jordbro story began.
A fox must deal with a very noisy duck before he can get his precious sleep.
On a cargo ship, eight crew members form an improbable community torn between the search for freedom and the nostalgia of exile.
Louisa is living a gloomy life. She takes rescue in literature, loosing herself in books and novels. One day she takes a book from the library, she did not choose: A guide to Lucid Dreaming. Soon she discovers the endless options of this new universe of opportunities: living a dream.
This documentary is about A. Ayyappan, a well-known poet who works in Malayalam. Alcohol and love are his two life-long obsessions. This documentary on Ayyappan’s life and work is filled with musings on his comrades, travels, college years, and his eccentricities, sharp political insights, humorous chit-chat, and renditions of his rousing poetry.
Friends Sara and Nina are going to the sea during the carefree summer holidays slightly differently than the majority - on foot, across Slovenia along the European footpath E-6, 14 days long. The path is overcome with such and different conversations, questions about life, thinking ... It is the path of physical efforts and endurance, the recognition of the distant beauty of Slovenia and the originality of nature, the landscape that lies under their feet. They are rich in new experiences, meetings with people. Of course it's not quite complicated and fun; Friendship is for a moment even a big test., The girls inevitably or inevitably meet special boys Žmigi and Jože, but they do not somehow shake them off until the end of the journey. After all, at the departure, they grow to their hearts.
Vladimir Erofeev was a key figure in the development of the Soviet travelogue during the late 1920s. See for example Far Away in Asia [Daleko v Azii, 1931] and The Roof of the World: An Expedition to Pamir [Krysha mira: ekspeditsiia na Pamir, 1927].
This film is on the other hand a Noir fiction set in Basilicata, played out against a spiritual backdrop: Carlo Altieri, a Piedmontese detective with a turbulent past, is hired by a young aristocratic Russian woman intent on finding her boyfriend, who has mysteriously disappeared in Basilicata. Altieri thus begins an intriguing and unpredictable journey through the valleys and badlands of Basilicata and, with the help of a fortune-teller, he starts to unravel an intricate sequence of events that will lead him as far as Matera.
An elderly veteran of WWII living in peaceful retirement with his son and the latter's family becomes increasingly lost in wartime memories and reminiscences, much to his son's consternation. One day, an item the old man reads in a magazine prompts him to go off unannounced on a war-related quest. The son goes searching for his father, and in doing so reaches a greater understanding of both the old man and the generation he represents.