As Far As I Can Walk Streaming Avec Sous Titres En Français

The story of World War I from the perspective of Serbia.

Let us give to the dead, to our young dead, the bread from heaven, the spike of the waters, the splendor of all sadness, the whiteness of our condemnation, the oblivion of the world, and the broken memory, of all the living.

Three siblings, brother Dinu and two sisters Anu and Buri meet on a seashore one morning after their mother's death. They reminiscence about their mother and her relentless journey in search of 'home'. Gradually as they dwell through their personal memories of 'mother' they unknowingly enter into unknown dark zones of mother and their own lives. The spirits of their ancestors too become part of their stories as the two sisters preform their memories. Dreams, fantasies, memories and reality starts to overlap to form a complex image of 'mother' in search of home.

Imagine that your father is a Palestinian Arab, and he had fought against Franco in the Spanish Civil War. Imagine that you have siblings, and you cannot talk to them because you do not speak the same language. Imagine that you have a family, but you were raised without parents... The film reveals the extraordinary story of a Palestinian family.

"A Home Far Away from Home" was filmed between 1992 and 1993, recording the life course of a group of babysitters from Wuwei County in Anhui Province who have traveled to Beijing. The five rural girls -- Zhang Jufang, Xie Suping and Liu Chunhua -- all came from Wuwei County, Anhui Province. According to local customs, when a daughter grows up, she has to go outside and go out for herself. The most appropriate work is to work as a nanny. "A Home Far Away from Home" records these girls' lives in the following year. This is a bumpy life of a year. Looking for a job, being fired, and then looking for a job that suits you, looking for a place to live in a place far away from your hometown, and facing difficulties alone. In addition to the living conditions of the five rural girls, the film also extensively recorded the phenomenon of the "migrant worker tide" in the early 1990s, and made various manifestations of its background, problems and development direction.

A couple's love has made the time stand still. Isolated in a static world problems in their relations start coming to the surface.

Dream is obscured when someone remember that. Image is distorted when I touch the film. Death, relaxation and fantasy.

So close and yet, since the 1974 Turkish Invasion of Cyprus, so far given that we cannot freely visit and enjoy its beauty. This documentary, realised with the help of scientific consultants, undertakes a journey of familiarisation with the mountain range's unique geological development, its rich flora, and its superbly beautiful natural environment. A journey showcasing the resources openhandedly offered by the mountain range to its people, such as its mineral wealth, its building stones, its water, but also a familiarisation with the people who lived with these and were violently driven from their homes, becoming refugees in their very own country and who live and breathe with the hope and desire to once again see a reunified Cyprus.

Ostensibly a documentary or a music video chronicling influential post-punk Chinese group P.K. 14’s first national tour, Li Hongqi’s latest provocation becomes a rumination on existential ennui that takes place on endless highways as band members sit in their tour bus and anonymous hotels.

The story of the city of Newark, in the state of New Jersey, USA; unlikely capital of the struggle for civil rights in the legendary sixties of the convulsive twentieth century, told through the eyes of writers Philip Roth and Amiri Baraka, who were born and grew up there, in the ominous shadow of the immense New York.

Based on the first Tengai Makyou game, that initially came out in 1989 as one of the first titles for NEC's PC Engine CD-ROM.

On the waterfront, a few soldiers inspect the perimeter where a festive table has been set up in front of a makeshift wooden stage. The garrison commander greets a motley group of foreign visitors as the waiters open the champagne to start the show. The perspectives alternate, the bah-humbug atmosphere at the guests' table is counterpointed by the reluctance of the performers and the resentment of those who prepare the meal and must serve the guests. From this group, the character played by Marga Barbu stands out for her eccentric, disruptive presence, upsetting the fragile balance of the whole performance and aggravating the already tense situation towards its dramatic climax.