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Lily-May decides to tell those closest to her about the choice she has made. She intends to end her life at an assisted suicide clinic. When the time of our own death is predetermined, is saying goodbye any easier?
Manon, a young woman who has just left a cult, faces the everyday uses with apprehension. She feels the gap with the people around her, who don't know how to react to her past. Despite a desire to move forward and the support of those around her, the influence of a cult remains tenacious, hence the possible need for help.
View of the audience, following the launch of a ship.
A news special about a year after the shootings at the Quebec City mosque
Marie-Claude Treilhou revisits the small village Labastide-en-Val 30 years after Il était une fois la télé.
Four absurd humorous sketches featuring young teenagers.
Silent film
Film made from PSAPPHA, a piece for percussion and voice composed in 1976, in which Xenakis works on the relationship between musical rhythms and poetic rhythms.
How do we carry on living, afterwards. When we've grown up under a dictatorship, when we shaped our lives under a dictatorship. When it's part of us. Second part of a trilogy about Romania after Stella (2007).
The work and fantasies of one of the COBRA group's principal painters, with the participation of Alechinsky
Four Parisian friends spend an afternoon with a friend in the countryside. However, he is suffering from a minor psychological problem with paranoid tendencies.
Bradin, Nikki and Derrick are 3 kids from an average normal Kansas household. Their whole life is thrown upside-down when their parents are tragically killed in a car accident. Ava Gregory (their aunt) gets custody of her niece and nephews and they move into her Californian home (in Summerland). Ava, a struggling clothes designer, lives with her best friend and business partner, Susannah Rexford, her friend, an ex- pro.surfer, Jay Robertson and her ex-boyfriend, real estate agent, Johnny Durrant. All four of them are highly unequipped to handle children and are not use to including them in their everyday lives.
They are barely 20 years old. They are robust, fragile, skilful. They are Allia, Hamza, Killian and Maélis. They spend time saying themselves, naming what they are, hollow and full. Vox Clamantis in Deserto and we are listening. The film is their imprint.
A BAFTA award nominated short film.
