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In Africa, two occidentals, a man and a woman, with totaly different minds, are obliged to make a long trip together in a cab.
A major revolution is underway in the independent restaurant sector in Quebec. The restaurant after arrives in the kitchens to meet chefs whose lives have been turned upside down overnight by the pandemic... and for the better! Inspiring stories and intimate testimonials that take us behind the scenes of this industry.
For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?
Short art film by Gao Xingjian.
In 1972, James Lee Byers was invited by Harald Szeemann to participate in "documenta 5" in Kassel, where the performance "Calling German Names" marked a turning point in his career. Dressed in red silk, Byars called out a succession of common German names through a megaphone from the top of the Fridericianum. The performance was repeated that same year from the top of the clock tower in Berne.
A couple faces the difficulties of creating a life together and find happiness. Should Suzanne run away from her man to be at peace? Would a new lover help her find herself?
An evening in a Parisian building where we discover nine situations that each evoke a hot topic of society: health crisis, feminist struggles, transhumanism, Islam, identity movements (non-exhaustive list!)... Without any judgment but with humor, sometimes burlesque, sometimes grating, and the whole sprinkled with a good dose of emotion. And all these colorful characters will be reunited in a flamboyant finale.
As we sat every afternoon in my grandparents' garden, my grandmother began to tell me about her life.
Divorced parents are concerned about the behavior of their teenage son who is rebelling against society.
An elegent parade shot.
In D'APRES MEG, small hand gestures are microscopically observed in their everyday context, a garden conversation, a construction site, a gallery setting. By taking our common peripheral vision of events seriously, Grenier produces an evocative enigma. From these images and bits of conversations, which are equally mundane, a new kind of disinterested seeing can be engaged. One that does not reflect meaning as invite it through repetition
It’s summertime in Corsica, the days are hot and time passes slowly. Marie, Lucas, and Ghujvan spend the afternoon hanging out at the river. They spot a tourist sleeping not far from them, and come up with the idea of stealing his wallet.
In Isère, in the mountainous region of Trièves, is the Tournesol farm, an experiential farm totally autonomous in energy, a veritable laboratory for renewable energies. Jean-Philippe and his family live there from sheep farming and organic market gardening. But in September 2017, a violent fire destroyed the farm and its facilities. While the family has lost everything, a surge of solidarity is taking place so that the Tournesol farm is reborn from its ashes.
In 1978, the Amoco Cadiz, a supertanker loaded with 220,000 tons of petrol, ran aground in Brittany, France. The accident caused the biggest oil spill France has ever known and is still today known as one of the 20th century’s biggest ecological catastrophes. Forty years later, Loïck Peyron tries to understand how nature recovered from the disaster and what lessons were learned from it.
