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“I met Jean Lambert one year after my arrival in Bénouville, in 1992...Before we met, I used to see his house, his farm, and wondered who could be living in such a mess, amidst such neglect. I had prowled around a lot before approaching him, for months. The day I decided to go and see him on the pretext of buying milk, I cycled from Bénouville with my empty milk bottles. On the way, the police stopped me to ask where I was going. What a coincidence! Jean Lambert gave me the milk, pointing out that there were other farms closer to where I lived. The most difficult step had been taken…I went back to have dinner with him once a week. I’d arrive around 7pm and leave around two or three in the morning, always on my bike, often drunk…Later, I suggested that we make a film. He found the idea amusing, even though he mistrusted cinema. ‘You’re wasting your time, poetry is the only good thing. He died in April, the year of the eclipse….I finished the film I’d begun with him, without him"
The town of Montmagny loses its primary employer when an American appliance corporation transfers production to the United States. The closing of Whirlpool's Montmagny factory brings 137 years of history to an end. The filmmaker enters the world of the people hardest hit: the workers. The drama of Montmagny is also being played out in the outlying regions of Quebec.
A woman's marriage is on the rocks ; to avenge herself, she decides to take a lover for one night .So she buys all his stock from a balloon man and flies them through the Parisian sky ; all her balloons carry a message :"I will be alone after midnight" (hence the title); a lot a suitors comme to the rendezvous : a fisherman, a soldier, a traveler , a gentleman cambrioleur (a nod to Arsène Lupin?) and others ,much to Michel, a young man in love with her's displeasure.
In the last days of the summer, a group of teenagers prepare for the police re-enactment of an event that occurred a month earlier. Fatim face more than the others the return of her friend, Helena, who is accused of the case.
Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
Ben comes to volunteer for the first time at Paolo's retirement home, but something strange is going on there.
Film shot on the edge of a river whose soundtrack is a text in French and in English said and written by Teo Hernández.
A family is about to spend the afternoon on the beach to watch the firework of August 15th. But everything gets complicated when Bruno goes to grab the beach chair that his wife Sandrine has forgotten in the car : holidays don’t cancel out our daily annoyances...
A year on from the Nice attacks
A brief look into the work of the COBRA art movement with footage of Dotremont, Appel, Heerup, Jorn among others.
