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Canadian author, humorist and storyteller W.O. Mitchell talks about his career as a writer and performer. Known for his witty radio and television appearances, Mitchell shows a more serious side as he reveals his personal views on writing and on the meaning of life and death.
A boy from Leningrad has his world turned upside down by his parent's separation and World War II. He leaves town amidst the fighting and returns to find a friend in his step-brother. The war is seen through the eyes of children and told in flashback form. The film was a special prize winner at the Venice Film Festival.
"Introduction to Epilogue" is a colorful, allegorical film about the fear of death. Life will always last a lifetime and it will always end in death. And the end will always be a new beginning.
We live with films every day, and it seems nothing easier than answering the question: what is a film? Obviously, a film is, first and foremost, a document, a testimony of the world that surrounds us. The rich expressional possibilities of film are based on the imperfection of the human eye, its sluggishness, so thanks to the stroboscopic effect we can animate a still image. Film is therefore a kinetic image, or a moving image. It can make the invisible visible, bring the distant closer, enlarge the small, speed up the slow, slow down the fast, and return the end to the beginning. The technological basis of film: light, film tape, camera, projector, film screen. Expressive possibilities of film: scientific, documentary, communicative, artistic. Basic film genres: differences among films.
From a request from Hungarian Television, two friends followed Audras Szirtes how he makes his films.
Dragi, young intern with his experienced colleague went to the province on a business trip. Older colleagues has the task to introduce a younger colleague into the business. They are sellers of books. But time is socialism. How to sell a book?
Moscow, 30 years after the apocalypse. The administrator of Farewells named Peter conducts a planned evacuation of human souls into the past. Everything is strictly according to the list, the choice of which is not always fair.
Animations from a course at The Animation Center - Tel Aviv Cinematheque, winter.
A tired University of Alberta student gets a little help from Mary Shelley to learn about the University of Alberta Library system
The acclaimed director Alexander Payne gives his notes on the making and interpretation of 'The Last Detail
Despite being married for three years, Sheng Mian and Fu Yancheng have never met. A business proposal brings them into regular contact, eventually leading them to fall in love with each other.
Esther and Jerry Hicks relate their incredible story and introduce Abraham. Abraham then explains the basics of their teachings, and answers a myriad of questions about every facet of living. Also included is a bonus segment from an Abraham-Hicks seminar cruise in which Abraham reveals the secret behind the best-selling video and book The Secret, which was originally based on Abrahams Teachings, but from which Abraham was ultimately deleted. Finally, join Esther, Jerry, Abraham and hundreds of attendees at a 2010 Art of Allowing workshop in San Francisco, California where Abraham explains their powerful Vortex of Creation concept in detail and then answers questions from several guests seeking more clarity.
A virus plagues the Earth in 2020.
This is the first film produced by 'Hatsukennokai'. Set in Tokyo, Kyoto, and the Noto Peninsula, the members of 'Hatsukennokai' are improvised to take pictures of them eating, walking down the street, chasing each other, and playing music.
In this film a game of poker is played whilst a voice over tells a fascinating tale involving coincidence, political aspiration and improbability, in the context of recent history. There is a Shakespearean feel to this work, with its account of chance events and encounters set on an obscure island.
An audio-visual critique of the world of IMMAMURA Shohei's films. The film talks about the master's films through the keywords of house, gaze, water, and train, and then begins to deal with Korea's modern history.
Linda is a middle aged woman working as a caregiver at a care home for people with chronic disabilities. One day a young, attractive guy comes to live there and Linda is overwhelmed with sexual desire for him.
Pojar’s wickedly humourous satire pokes gentle fun at a speechmaker so enamoured with the sound of his own voice, he is oblivious to the effect he is having on his audience. Pojar details their bafflement, fidgets, whispers and snores with great imagination.
“…The Moscow train pulls into Ulyanovsk early in the morning. These days the city welcomes you with bustling streets and squares, the courtyards and guardians the scarlet shade of leaves that have not yet fallen, the mirrored vitrines of shops, and a myriad of new buildings. If there’s anything particularly characteristic of Ulyanovsk’s new look, it is the construction cranes and scaffolding.”