All Women Are Bad

Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the critic's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.

In this contemporary romantic comedy about love in all its forms, All the Women in the World tells the story of Paulo, a bohemian dreamer that lives his relationships intensively, falling deeply for all the women he meets. Never able to forget Maria Alice, his greatest love, he counts on the advice of his two best friends to face the emotions of his accomplishments and breakups.

Plot is about a man who’s been in his apartment ever since his wife left him. Evening after evening he’s getting drunk and calls a hot line girl called Kiki... Srdjan Dragojevic's student film.

When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.

A New York salesman goes on a self-destructive spree of sex after finding his wife cheating on him.

All Women Are Equal is a black and white 15- minute documentary filmed in Nottingham England in 1972, about Paula, a male to female transsexual made by veteran lesbian filmmaker Marguerite Paris (1934-2007). This very early and non-exploitative representation of an ordinary well- adjusted transgendered person is historically significant for its treatment of the subject.

A series of intertwining stories focus on the lives and transformations of three women and their romantic relationships.

Pascal and Martine are married, have children, but are getting bored with each other. Pascal is tempted by a beautiful salesgirl with whom he finally has a date. But the bombshell promised more than she actually delivers. On the other hand, he is attracted to his precocious niece Sophie. But he only becomes her confidant, living vicariously her first sentimental experiences with boys of her age. On her part, Martine winds up responding to the advances of her office manager who has been trying to pick her up for months. She follows him to his apartment but the alleged Don Juan is nothing but a boor who prefers to watch a soccer match rather than to make love to her. In frustration, she leaves him sprawled before his set while she returns to Pascal. They realize their extramarital experiences have reinforced their couple and can now live happily ever after.

In El Salvador, abortion is punished with imprisonment. This documentary wants to give voice to all the women who are victims of a restrictive legislative system that violates their reproductive and sexual rights.

Skin flick about nude beaches

From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.

In his film, Lothar Lambert has chosen to portray eleven women over forty in Berlin, interweaving accounts of their experiences, their current lives and their expectations for the future. The line-up includes a number of well-known Berliners such as Irene Schweitzer, who runs the shop “Kaufhaus Schrill” in Bleibtreustrasse, photographer Erika Rabau and painter Evelyn Sommerhoff. The women talk about their chaotic family backgrounds, dramatic twists and turns, courageous decisions, failed relationships, breakdowns and new beginnings, as well as the art of gritting your teeth in spite of all of life’s blows. In no uncertain terms the women tell the filmmaker how they came to be the people they are; they also chat unabashedly about their sexual antics and reflect en passant on the social climate in Germany.

The story of three Salvadorian women who saw their fundamental rights violated when they were accused of a crime of abortion and finally, imprisoned for aggravated homicide, when in out-of-hospital deliveries they lost their babies.

A nurse working at a hospital is looking forward to her marriage with a handsome doctor. But she is open minded as she also is having an affair with a pretty student nurse. One day a former patient invites her to her house. But when she enters it appears that a robbery is taking place. Two masked men grab her, bind her with rope and proceed to violate her repeatedly while photographing the whole ordeal. She is released but is soon blackmailed into returning for intensive B&D training. Can she keep up the premise of a happy marriage without succumbing to depravity of the rope and the lash?

On these rare images of many lettrist protests, the director evokes all the creative women of History through the symbolic figure of Joan of Arc. This film was actually completed by Maurice Lemaître. The soundtrack is in French from the trial of Joan of Arc