All We

A judge opens an inquiry into the circumstances surrounding the death of an MP.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

At the start of World War I, Paul Baumer is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside.

In “We gaan er allemaal aan” (PowNed, NPO 3) Valerio Zeno explores the different ways in which humanity comes to an end: a nuclear war, the eruption of a supervolcano, AI, the impact of an asteroid, climate change, a pandemic, or do aliens exterminate us? Valerio speaks leading scientists about these themes and also investigates how popular films and books, for example, thought of them.

Finzy's adventures as a mascot of the Financial Police.

Adaś Miauczyński, a Polish intellectual, has severe alcohol problems which affect his relationship with his son Sylwek.

Jay Baruchel joins top scientists, activists, and experts to explore the global crises that could cause humanity's demise, all while finding the solutions and technological innovations that might save us all.

All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.

In the near future, the "Spike," a 10,000 mile tall indestructible floating alien tentacle materializes in Earth's upper atmosphere, causing everybody to freak out. By now, though, everyone's gotten used to it. But after the Spike teleports a struggling beekeeper's beehives and a grieving wanderer's prized car halfway across the country, these two strangers must join together and take a dangerous roadtrip across a changed (but recognizable) America to get their stuff back.

A bachelor party comes to a screeching halt when a Chinese water ghost shows up for the festivities-- and may or may not be the stripper.

When her partner Pat unexpectedly dies, Angie is left to worry about the flat in which the couple lived together for over 30 years. Supported by her chosen family, Angie begins a later-life journey into emancipation.

Who has never heard of pregnancy denial? This condition, often caused by miscellaneous circumstances, escapes our understanding and even science. How can the mind of a pregnant woman hide a child growing in her body?

With the 00s now firmly in our rear view mirror, the decade is ripe for re-evaluation. From 9/11 to the financial crisis, the decade shows not only a period of turmoil in the United States but its also a golden age when the Internet hadnt been colonized by corporations, when social media was still young and fresh and when it was easy to make money.

The film tells the story of three presenters on Radio X, an amateur clandestine radio station.

A view at two cities far from each other – Bochum and Detroit – which face huge challenges after the departure of the automobile industry. The industry disappears, what stays are the people. In the end there is a journey into the hearts of the citizens of both cities who, after the end of the industrial age, search for a new identity. What unites them despite all differences, is the desire for a dignified and happy life.

Jamshid, the son of Abbas Sakhai, has been living abroad for a number of years. He sends a message for his family who then decide to make a film depicting their lives and send it to Jamshid. Omid, the younger son of the family, rents a video camera and records images of members of the family as they talk directly into the camera.

Rosa, expelled from home, needs to build her own shack. Meanwhile, an expansion project in the largest port in Latin America is advancing, not only on Rosa, but on all the residents of Prainha Favela.

Isabelle and Maxime are a pair of lighthearted lovers -- that is, until Isabelle gets the itch for motherhood. When she confesses her desire for a child, Maxime panics. As a cartoonist by trade he is far from financially stable, so he outright rejects the idea of parenthood. What follows is a roller-coaster romance full of recriminations and reconciliations, until Maxime must ultimately decide whether his fear of becoming a parent is a reason to leave.