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Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.
This is a short film about Alice Guy-Blaché, the first female director of fiction in cinema history. Alice Guy was Léon Gaumont's secretary at the beginning of the last century and she was the first woman to ever direct actors in front of the camera. In 1895, the Lumière brothers introduced to the world the "Cinématographe", the first camera. Léon Gaumont decided to sell this revolutionary new device. Fascinated, Alice asked her boss for permission to use the camera to make her own films. Mr. Gaumont agreed only under the condition that she “would be able to keep up with her mail.” This short film is a poetic reverie that Alice Guy might have had in her time if only society at the time hadn't presented her with so many challenges.
Behind-the-scenes footage showing Alice Guy directing an early sound film.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
A biodoc about the first female filmmaker and her relative disappearance from the history of cinema.
A one-hour biographical documentary about Alice Guy-Blaché, one of the first women to direct films.
Tribute to the first woman to direct a motion picture.
A short student documentary detailing the life, career, and impact of French film pioneer Alice Guy-Blaché.
Program of 13 short films by Alice Guy made between 1898 and 1907. She is the first fiction filmmaker in the history of cinema. It was she who suggested to Léon Gaumont that he abandon simple animated views to shoot small scripted stories. Authorization is given to her to direct, and this is an exceptional fact in a profession reserved for men. Until 1907, she will reign over Gaumont’s production as director, artistic director, screenwriter, experimenting with faking and special effects.
Alice in Wonderland, or Who Is Guy Debord? was created as part of the Electrodist project, a collective endeavor which has the aim of introducing critical elements into the mainstream marketplace through the alteration of consumer media products. Utilizing DVD decryption freeware and common DVD authoring programs, the video is placed as a special feature within the existing and publicly accessible Disney Alice […] DVDs, and then redistributed by Electrodist into various video rental systems for consumer access. All original material and menu access structures are kept intact in the modified discs, so the addition of Alice in Wonderland or Who is Guy Debord? has a parasitic relationship to the DVD product. […] The video, within this context, is an attempt to provoke adult consumers, within the safe space of their own living rooms, into thinking critically about the object of their consumption, its creators, and its viewing context.
An illusionist makes a woman disappear in thin air.
An early Kinora demonstration film.
