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Cedric alias "The Quick" was abandoned at birth by his mother and grew up somehow in the homes of the DDASS. One day his teacher Bernard tells him he has a brother, Matthew, alias "Little M", of whom he knows nothing. Unlike Cedric, Mathieu was raised by a wealthy family in an upscale suburb. The meeting between the two brothers promises to be chaotic. Yet, however big their differences, Cedric and Mathieu have one thing in common: they have not known their mother. The two brothers therefore decide to find her. This is the beginning of a long and perilous journey of initiation in which they will get to know each other ...
The Hawaiian spirits of the past rises again to protect their kings mana.
Fifty-year-old Sabine is a truck driver. The sudden buyout of the company she works for by a large German corporation will upset her usual habits. Apart from the new rules, she also has to adapt to working with a partner, Manon, a young woman who is prepared to sacrifice everything to stay in the company. Fearing she'll lose her job, Sabine accepts to go on the road with Manon.
Dads observed their daughter's love process with the host Zhang Shaogang and the observer Cheng Lisha
The journey of Jean Holloway – a therapist who begins to develop dangerous and intimate relationships with the people in her patients' lives.
In November 1966, Mr. Owens completed his first film Autre fois j'ai aimé une femme ("Once I Loved a Woman"), which in its short existence, has had special screenings both at the school of the Institute and Morton Hall, the Second City Film Center, and the Filmmakers' Cinematheque of New York. Upon viewing Autre fois, Gregory J. Markopoulos wrote "[Edward Owens] may well be one of the few for whom 'amateur' and 'professional' need have no significance whatsoever: true to his own native talents, with grim determination uncanny, whether the mind in the arts is for or against beauty or its opposite twin, chaos." —John F. Steward-Butkovich, Brotman & Sherman Theatres
Dédalia the spider dreams of the big city — New York — home to 8 million people. There’s just one little problem: she’s afraid of them!
Lucas, a 13 years old teen, comes back from summer camp sad because of his failure to confess his love. He consoles himself in his daydreams where he relives his memories and fantasizes them. But to be able to move on he has to confront this failure and accept it.
Gaby is happy. After eighteen years of work, he is a flourishing mechanist. But one day, the mechanic of his life is out of order. He discovers that his assistant is in love with his wife. This one runs away with her daughter in law. So, Gaby's friends imagine a gambit to find them, at the moment where father and son enjoy pleasures of single life.
A whimsical, philosophical dialogue between a man and a woman (played by Jacques Louis and Danièle Nyst) about "moving the earth and night to a small grey corner" is the starting point for an intricate play of words and images, associations and meanings. This collage-like narrative, which flirts with both the everyday and the magical, unfolds as a mythical reverie on signs and language — spoken, written and visual. The Nysts' fascination with objects and their representations is exquisitely illustrated; their verbal and textual intricacies show a delight with language and its semiotic relation to images. Creating a poetic meta-language that suggests the immensity and abstraction of ideas, the Nysts construct a fantastical video universe where "information is a tragedy," and a unicorn signifies salvation.
"J'ai mal à ma maman", produced with the Uccle art school's film workshop, continues the same themes thirty years on, in a more fictionalized mode, but intertwined (“Why do you think you're Jewish? Because I hurt my mom”): the mother and the fantasized condition of being Jewish. The relationship with women other than the mother also appears, whose love carries a final note of hope, rare in Paquot's work.
A good-natured ostrich breeder gets into trouble through the fault of a family of wealthy foreigners who give him a hard time. Because of them, he loses his fortune, resumes it, goes through countless adventures, always followed like a shadow by his faithful servant.
