Ai L

A chubby forty-ish florist is dumped for a gorgeous young woman. She decides to lose weight and to ruin her rival's life in order to win her handsome lover back.

Hidden among the trees of an Italian forest, Bruno has been building swings, slides, seesaws, gyroscopes and roller-coasters for the last forty years. They are his passion and a way to attract clients to Ai Pioppi, the restaurant he runs with his family. Throughout this short documentary, his hand-powered toys move alongside his thoughts about existence and death; and why he spent more than half of his life creating rides.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤNo description found.

A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".

A documentary portrait about a man's collection during his years of retirement and suffering from mental illness. His family thinks it's garbage, I think otherwise.

A cinematic biographical narrative of the life of Andrew Stokes, the Founder and Executive director of Omega AI, Inc.

Ai Sranang, is a short montage film with a decidedly focused examination of Surinamese history and politics, since its independence from the Netherlands in 1975. The fragmented nature of montage film here, is a deliberate allusion to the complexities of diaspora as it stands in relation to identity. The tropes of in-between-ness and travel, are indeed an extension of this metaphor, yet they recall also ideas of leadership and government, specifically with the image of the “swinger” bus completely running amuck—if we think more globally of the events that have defined the Neoliberal era, the metaphor of the reckless driver extends far beyond the Surinamese context.

In the midst of everyday challenges, a peripheral teenager tries to face life's obstacles and will have to decide which path to follow.

It showcases the contact zones between African rituals of possession within traditional fishing villages and the emergence of new technological frontiers known as Artificial Intelligence.

In the video Kan Xuan! Ai! (1999), Kan runs through a pedestrian underpass in Beijing’s Fuxingmen subway station, repeatedly shouting and responding to her name as if searching for the lost self. Against a surging crowd, Kan’s anxious calls to the self amplify a common tension between one’s subjective experience and mainstream values or social norms.

Journalist Anne-Marie Tomchak takes a look at how we need to adapt to cope with AI’s increasing power and influence on our lives.

Fanclub tour featuring former Morning Musume. member Takahashi Ai.

Would you rather have water or milk? See the world in blue or pink? Keep the film going or finish it? Individuals accept the game proposed by the director and make their choices in front of the camera. With this film, Laura Marques questions her role as filmmaker. Perhaps cinema is just a children’s game?

Documentary about artist Ai Weiwei's 2014 exhibition in Berlin.