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A very loose adaptation of Master and Margarita, but for all that, it is explicitly based on Bulgakov's novel, in a thoroughly experimental way. What you see in this film is documentary-like scenes shot with a simple video camera in Moscow and Budapest, and New York, and these scenes are linked to the novel by some explicit links, and by these, the film goes beyond the level of being but a visual documentary which would only have reminded the viewer of The Master and Margarita.
Sometimes it happens that you want to relive a dream again
A mercilessly humorous portrait of the filmmaker who, in a desperate attempt to save her relationship, visits all her ex-boyfriends.
Josh Gates sets out to experience everything notable locales have to offer from sunset to sunrise.
After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.
In early 2000s, old China Town, Los Angeles, when introverted and unsociable sixty nine year-old Chinese man, Wan falls in love with a man who is nearly 30 years younger than him, Wan struggles to embrace his homosexual identity which he has been suppressed for his entire life and simultaneously confronts his guilt towards his long deceased Chinese wife.
In ‘Here After’, filmed in a soon-to-be-demolished inner-city tower block on the north side of Dublin, objects disintegrate before our eyes, as though being eaten by some strange virus or invisible entity. The contents of a room disappear as the carpet beneath them is sucked into a void below. Wind haunts the empty spaces, stirring the curtains on an open window, or the wallpaper which barely clings to the damp wall. This movement is contrasted by the stillness of an undressed bed, a rectangle of light from outside creeping over its surface, pausing as if resting one last time before moving off again. The barrier between the interior and exterior is no longer intact, and nature encroaches – water dripping down walls, advancing slowly over floors, spilling dangerously from light-fittings. Light spills in too, but rather than hopeful illumination, its presence is menacing, evoking a sense of time passing too quickly, bringing premature decay.
London After Midnight (1927), directed by Tod Browning and starring Lon Chaney, is the most sought-after lost film by fans of fantastic cinema. Has this mythical treasure finally been found in an old South American cinema?
A man contracts a sexually transmitted disease, but is reluctant to seek medical help - until a no-nonsense lecture about the risks he is taking forces him to change his mind.
The series explores the epic history of evolutionary challenges to mammals to reveal how they finally achieved predominance over other species in the world after dinosaurs and how the present ecosystem developed through meteorite impact, volcanic activities, and tectonic movements.
For René Fustercluck, life was bad, the Apocalypse was awful, and then Gordon arrived.
The operetta after the honeymoon is the final installment of the series of maiden and honeymoon caresses. In this part there was a great development in the story as it was presented 12 years after the second part in the year 1989. In addition to the duo, the hero of this operetta from the beginning, Abd al-Hussein Abd al-Ridha and Suad Abdullah, artist Intisar al-Sharrah participated.
An existential dilemma of a religious man Oleg is a religious person trying to become Godfather for a girl he adopted. However, the priest, Father Philipp, knowing that Oleg is gay refuses to baptize her.
One night a young dreamer goes for a walk through the deserted city, forced by obsessive thoughts. The hero submerges into the bright lights of the streets, meets strangers, listens to pieces of theirs strange conversations. However, the further his walks, the more his surrounding changes: cold buildings of the industrial zone change the streetlights' warmth, a mysterious black car starts to follow him, and the metal cranes turn into weird creatures. The hero falls deeper into his thoughts. He examines his fears and ideals, losing the line between reality and the world in his head. Will he find what made him leave his home, or maybe he will be swallowed by the surrealistic realm he encountered?
On the 16th April 2014 South Korea was changed as a nation. After the days, weeks and months that followed the Sewol tragedy, the country became undone, untrusting and more divided than we have ever seen in its history. "After the Sewol" explores the changing faces of this nation through the eyes of two British film makers. They talk with relatives of the victims, rescue divers and activists about their struggles and battles since this tragic accident happened and embark upon a journey to uncover how this accident came about, looking deep into Korean history about why no action was taken to prevent it in the first place. This journey takes them all over Korea, meeting an older generation struggling to create a safer place for their children to live in and a young vibrant generation fighting for a corrupt free society.But, all of them searching for one thing, the truth about why the Sewol victims died.
This film is part of a Lockdown Film Series called Ajab Mulakaatein, an attempt by the Kabir Project and our friends to travel and meet in wondrous ways despite the odds of the pandemic and its many lockdowns. We made online and some offline excursions into the villages of Rajasthan, Kutch, and Malwa to connect with singers and seekers who have kept the legacy of Meera alive in their singing.
It's April 2020, deep in the COVID Shelter-In-Place order. Kids are trapped in their homes and parents are stuck in little virtual meeting boxes all day. Aaron Barry had a fun and challenging idea for a short film.
Inspired by current social events, After the Storm explores the lives of a family – a mother, father and their son – caught in the aftermath of an incident that has changed their dynamic forever, as they attempt to come to terms with the predicament they're in, rebuilding what has been broken.