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Pfeiffer converted a moment of midgame triumph for the Knicks forward Larry Johnson into anguished isolation in a piece titled "Fragment of a Crucifixion (After Francis Bacon)." By simply eliminating the other players, the crowds, even the insignia on his uniform, Mr. Pfeiffer converted Mr. Johnson's arm pumps and energized jubilation into expressions of terror. The player seemed like a hunted animal or a martyr and, either way, a profoundly disturbing metaphor for the plight of the black man in American culture. -Roberta Smith
Experimental film series featuring actors trashing a room.
My first "real movie", which I started when I was a student, in 1978/79. An exploration / transformation of a mysterious house, black and white, with music by Couperin as indicated by the title. - Nick Collins
This film is made up of five panoramas, four wide and one close-up, of the ruins of downtown San Francisco shortly after the 1906 disaster, plus a panorama and scene in a nearby refugee camp. Original intertitles precede each change of scene, but the locations provided are incorrect for three of the five views. The state of the ruins and camp suggest a date in late April, 1906. The absence of streetcar tracks in the "Grand Avenue" panorama dates that segment to before May 1, 1906.
A panoramic view of Market Street San Francisco after the earthquake and fire of 1906
Amélia, an emerging non-binary filmmaker, has been given 2 months given and a research grant to find out more about francophone queer life in western Canada. As the only participant from (what is colonially known as) British-Columbia and with only 3 weeks left, the pressure is on: Amélia rushes to find any traces of francophone queer people in Vancouver before the year 2000, the year they were born. Amidst this chaotic research effort, they find André, an older French-Canadian gay man that lived in Vancouver for 25 years. Through their conversations, Amélia unlocks André's hidden personal visual archive, that proves that, indeed, francophone queers were alive and thriving years before they were born. This documentary shows how Amélia put together a presentation about their own queer ancestors through screen capture, archival footage, interviews and narration that ends up changing their own view of themself as a queer french-canadian in the west.
On October 17 1989, an earthquake measuring 7.2 on the Richter scale rocked San Francisco. Presented here are some of the stories of the brave members of the public and emergency services who rescued people who were trapped in the rubble in houses or on the freeway.