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This movie made in the 1990's emphasize the urgent need of the legal reform regarding the divorce law, just like the Huge Battle of Divorce (1992), and the difference is that the hidden theme of this movie is concentrated on the settlement after the divorce while the Huge Battle of Divorce (Li Hun Da Zhan) concentrated on the process.
Eleven-year-old Aisha wants to fish for a living, but her mother thinks that fishing should be left to men. Aisha’s life transforms when fisherman Hassan decides to teach her how to fish.
Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
An NYC Professor spends the week reconnecting with his family while defending his reputation over controversial behavior at his college. Meanwhile, his family is determined to make an around-the-clock effort to support their matriarch when she’s admitted to New York’s Presbyterian Hospital and is expected to die within a few days.
Joey Fatone hosts a behind the scenes look at Impractical Jokers.
Cinderella weds her Prince Charming, only to find married life isn't all it's cracked up to be.
Before Human died We will have seven minutes to review our memories This is a story of a man who reviewing his memories while he get cranial operation in 2050
Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.
The film is an inquiry into contemporary forms of alternative models of partnerships. For many protagonists, polyamory, open marriage or long-term lover-to-lover relationships present a fulfilling life style, but also a struggle with misunderstanding of the society or conflicts within their own relationships. The director follows the development of relations of her protagonists over several years, while in intimate talks, she searches for the joy, striving and insecurities brought along by such unusual faces of love, revealing a need for redefining partnership in our times.
A group of Russian teenagers spend their summer at a summer camp. Mitia falls in love and gets so occupied with his own problems that he forgets about everything else.
The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?
This documentary tells the story and consequences of one of the world's most controversial hydroelectric dams, located on the Xingu River in the heart of the Brazilian Amazon.
Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
Newly divorced Nilgün, a doctor from Istanbul, is sent to a remote small town to practice; where she meets up with long lost friend Havva while treating local prostitutes.
When an exotic dancer is murdered at a seedy strip club, her sister Constance, a TV newscaster, goes undercover to find the killer. While working at the club, she quickly realizes that everyone is a suspect and that other dancers are being targeted. She must work fast to find the killer to seek her revenge before she becomes the next target.
As if we were in a small town. An ordinary day in a kid’s life. An incredibly hot day. Here everything is unique. One gang. One game. One field. One girl. In the span of one day, how can this boy arrive at such a changing point in his life from which there is no return?
Nan Au-Yeung (Michelle Wai) and Sze Tso-chi (Ken Hung) share the same birthday, go to the same school, love photography, and are just as competitive. But they did not know of each other’s existence until they “crossed swords” at a debate tournament. And they both felt as if the fairytale prince and princess finally found each other. Later in a birthday party, Nan thought Chi played a trick on her, leaving a slap on his face. Four years later, Nan Au-Yeung encounters his ghost and learns that he is already dead...