A Walk In The Night

The story of life of a musician who plays traditional music and comes to Tehran for a living but after a while he is absorb and begins to play in a rock band.

The film is about the transformation and inner liberation of the protagonist, who found himself in the bleak sequence of everyday life of an office worker.

What does it mean to live in a neighborhood? What does the place where you live mean to you? Who lives next-door? In the summer of 2017, 140 people who live on and around Rosa-Luxemburg Platz in Berlin's 'Mitte' district were interviewed. These conversations were turned into a series of short films that provide personal insights into diverse lives. Behind each door there's a different story: long-standing Mitte dwellers, founders of start-ups, centenarians, globetrotters, those pining for the old East Germany, and students. There are people who have lived here for two months or sixty years; people who grew up in what used to be East or West Germany, in Latin America, Russia, or former Yugoslavia. A neighborhood full of diversity and contradictions. Some call it their home, others just the place they live, while still others think of it as a real neighborhood or 'kiez'. And yet, memories and emotions associated with this place connect them all as neighbors.

Stomu and Sverrir are friends and accomplices. They have known each other for many years and have already worked together. Stomu has been to Iceland to take part in Sverrir’s premieres. During Sverrir’s tour of 15 Japanese cities in December 2005, the two artists spent a lot of time together in Kyoto and discussed creating a new project that would permit their sensibilities to meet. The aim of this film is to give us an insight into this artistic friendship. The two artists create a musical project especially for our film in which Stomu’s mineral sounds encounters Sverrir’s unique voice.

walking around

The action takes place in the late 1920s Ukraine. Exposing the agent of counterrevolution penetrating the environment of Soviet scientists.

20 young people marching against each other, for a prize of one billion. The rules are simple: Who stops, dies, and only the last one survives!

A film by Daria Demur and Katerina Ignashevich "We Are Walking" is about the confrontation between peaceful demonstrators and riot police in Minsk.

A group of college students struggles to launch their poetry magazine and survive in school.

Elderly patients are lying in a Budapest hospital. Most have no hope of recovery, even their families have given up on them. All day long they observe as the world goes by, or they simply turn inwards. And yet hope still burns within them: from time to time they gather strength and clench their fists, or even stand up again. Instead of a simple report, director Pál Zolnay and cinematographer Elemér Ragályi recompose images of despair, illness and death, inner fortitude, playfulness and hope into lyrical film poetry.

Through succeeding childhood photos, a girl begins to remember her personality, which in contrast to her sister’s, already strayed from assigned gender roles. The narration is addressed to her mother, as if attempting to establish a communication between different universes. The camera follows as the girl, now a teenager, enjoys herself accompanied by her friend and other night characters in the village, breaking gender and sexuality conventions, where the freedom of the body, and consequently of the soul, entails lightness.

Marcher puis disparaître follows the path of a man who, having journeyed a great distance, goes through the daily life of a small Turkish town, observing the customs and habits at dusk: a coffee shop, the old mosque, a bakery, games at café tables, and the streets coming alive

The USA is not only about skyscrapers and highways, street bustle, and car herds. America is fields and forests, deep rivers and endless expanses, hot south and snow-covered north, high mountains and vast valleys where ordinary Americans live, work, suffer and rejoice.

A Japanese-American summer plays like a memory. We get to be kids again.

One night, Zhou Jun took a taxi. During his stay in the taxi, he told the driver about the disappearance of his ex-girlfriend, wife and son. When the mystery was to be solved, the driver threw Zhou Jun into a bigger mystery.

Tonight, Anna and her dad have decided to walk home through the forest. Anna takesa torch and dad lights it up for her. The silent nocturnal forest is as enchanting as it is scary – and the bright flameas protective as it is blindingly bright.

A guy finds in his camera some footage of himself walking in the woods.

The scene is set in the year 1944, wartime Fukuoka, Japan. The Japanese Imperial Army are cornered. They decided to send students to the battlefield. On his way home from a draft check, Kanji, who is hiding his gayness, agonizes over whether he should declare his feelings for his friend Sakunosuke, who is leaving for the front lines tomorrow.