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Portrait of the polemic visit of the blogger Yoani Sanchez throughout Brazil, showing the activist's background in Cuba, in order to discuss freedom of speech in the world today.
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.
Alex, in his neighbourhood, learned to grow up by his own will. His father drives a cab, but today he is sick and is not going to work. Alex leaves home with his father's car and drives to his school, looking for his friend Rafa. Today is a different day.
The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.
A couple in search of a different life, move from the city to the countryside and confront unexpected events without breaking their union.
Antonio decides to break free of his mundane existence and rents a silver convertible to take his wife on a dream vacation. Everything seems perfect. Except he doesn't know the way.
A filmmaker and an actress travel towards a remote location, in search of a particular house, and of inspiration for their next movie. The region is Douro, and the house belonged to Manoel de Oliveira, where he took refuge to create many of his works.
João, the son of Azorean immigrants living in America, goes to the São Miguel Island where he takes part of a pilgrimage, finding new values.
Maria, a Ukrainian doctor, comes to Portugal to spend a year with Greco, her husband who is also a doctor. Upon arrival at Faro airport she is the only person from Kiev approached by agents of Immigration and Customs that lead her to a room of interrogation, without any explanations. All this occurs because the authorities suspect that something illegal should be behind her trip, since she is from Eastern Europe and her husband is Senegalese.
During a flight, passengers confront their aspirations, frustrations, fears, wishes and fears, mixing up reality and fiction.
1995, São Paulo. Following the deployment of the Plano Real, Liz, 13, is sent to Ireland by her newly middle class parents on an exchange programme. From her point of view the trip is a complete failure. Liz comes back to Brazil distressed and obsessive. In the following years she develops an alimentary disorder which limits her life in all areas. How to overcome this tough reality?