A Thing Of Wonder The Mind Matter Of

The main character of the film, Tayyr, begins to practice boxing and, in the course of intense training, faces age-related problems that cannot be overcome by exercises. This impasse forces him to look for a way out in another direction.

Just before falling asleep, Mariana has a particular impulse: she will change the names of everything in the world. As if in a trance, the woman gives precise instructions to reinvent words and the order of things. Peaches will be called brushes; death will now be a mask.

Ernst, 17, tells his American pen-friend about his worries. He is to leave school soon and will have to decide what he to do, a difficult task. An unfortunate incident is not inoppurtune.

FRAGMENT | In the eyes of a jealous husband, a puppy is easily mistaken for an illegitimate child. Mr. Vibe wants nothing to do with the family’s new puppy and is thus unaware that Mrs. Vibe names the dog Ophelia. By a twist of fate, an orphaned child is left on the family’s doorstep. At the same time, Mr. Vibe discovers a letter with a plea to take care of little Ophelia. Jealousy consumes Mr. Vibe as he believes that this Ophelia must be his wife’s child born out of wedlock! (Stumfilm.dk)

What would you be willing to do for fifteen minutes of fame? This is the question at the heart of "The Thing That Drifted Ashore" a horror short film that explores our strange addiction to spectacle through the story of Martin, a young cinematographer in search of fame and glory, that joins a group of amateur filmmakers, who while shooting a short film in a remote mexican beach make a spectacular discovery. Unfortunately, this brings out the worst in everyone, and soon Martin will find himself in a life or death situation from which he must escape.

On New Year’s Eve, after Lei Xiao successfully brought her seemingly perfect boyfriend back to her parents’ home, she didn’t gain her parents’ trust. She remained constantly nervous about her temporary partner’s behavior while observing the reactions of her parents and neighbors in her hometown. Behind the apparent joy of the whole family, a larger lie was concealed.

Brave cattle ranchers in an increasingly arid part of Italy have changed course: this couple with two children have imported heat-resistant livestock from the United States, invested in an inventive breeding program, and introduced an ecologically responsible grazing plan.

Sequel to 'แด่สิ่งที่ไม่แปรเปลี่ยนชั่วนิรันดร์ (2020)', The third installment of the documentary that continues to follow the lives and concepts of a group of street art artists who paint King Rama IX in various buildings during the monsoon political conflicts that are getting more intense everywhere.

Pink film distributed by Xces / Nikkastu.

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

This is the look that the film about Eduardo Gageiro takes. A film that departs from the stories of two images and that moves on crossing them with the ones that come out of the construction of his latest book. A film that shows how the deep Portuguese look of this photographer has seen the transformations of his country and of the world in the last 60 years. A look that has imagined what the photographer has seen and shot: the kiss of Maria to Salazar’s dead body in 1970, the kidnapping of the Israeli during the 1972 Olympic Games, the turning-point in the 74 revolution and the seductive revelations of the portraits from 1995.

In a futuristic world, everyone has a chance to meet with a decesased loved one for 10 minutes.

Using mixed techniques and experimental elements, the director intends to explore the relationship between him, the cinema, the actor and the spectator.

The film tells the story of young people in their early 30s; it speaks of their past and present romantic relationships and their attempts to find their way in life, one based on true feelings and decisions. Rather than well-set relations, which obstruct the vital flow of life, it seeks a direct contact with the world and other people.

The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.

The movie tells the story of Tian Xiaole (Chen Yao), who only thought about the "60-point pass life" female man, after meeting Cheng Daye (He Haochen), the savior with a "100-point halo", his life began to change dramatically , And willingly act as the "iron buddies" of each other, secretly falling in love with Cheng Daye in the name of friends, but in fact the two of them have always hidden the most sincere feelings for each other in their hearts. After all the ups and downs, waiting, and misses in life, returning to the beginning of love, it turns out that love at first sight is the simplest thing in the world.

Carefully shot in black and white, All Things Were Now Overtaken by Silence is a meditation on the filming of a strange play: a fascinating monologue by actress, director, performance artist and political activist Jesusa Rodriguez of Sor Juana Ines de la Cruz’s poem First I Dream.

The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.