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This experimental short film proposes a lyrical plunge into the sacred words of the shaman Valdomiro Flores about the original territory and the traditional way of being Kaiowá indigenous people (Mato Grosso do Sul/Brazil) elaborated from a set of images of the phenomenon of kuarahy jeguaka (head ornament of the Sun).
In far away Paraguay, there was a young man ... who in his heart had an empty meadow." This is the theme for a musical film in animation, where the director plays exemplary with screens, guns and money, between narrative and abstraction. Chagall, Picasso and Kandinsky hang around in a synthesis that seemed impossible, a film adapted from a book by P. Cachapa.
A man walks around a desert region while playing his harmonica. Soon, he'll make a deal that will change his life
To the Earthen Red is an experimental, ontological reflection on the nature and narratives of clay extraction that traces out the relation of landscape, object, and the senses. An epic poem meets pottery meets thermography meets the transformation of matter.
The agriculture reforming process, after the 1974 revolution, is seen through an analysis of the social structures and class struggles of the Portuguese society.
The award winning documentary film The Broken Moon, brings the audience to the most inhospitable and isolated region of the planet, the Himalayas. An amazing story of a nomadic people, struggling to change their destiny.
Ciancicato Miao and his son, after the death of his wife and mother by mushroom poisoning, are dedicated to find her replacement and have no luck until they find a mysterious deaf mute green-haired woman.
Freely based on Gide ('Paludes') and Hawthorne ('Wakefield'), this is a film about a writer who never wrote anything and who blows at nightfall the breath of frost. The poem by Carlos Queiroz to which the above sentences belong is not cited in 'O som da Terra a Tremer', but the atmosphere is that, between written letters never received. Fiction within fiction, stories within stories, like those Chinese boxes in which there is always one inside another. Or the two margins of the same river, always being lateral.
In the ‘land without evil’ humans will find peace, according to the Guaraní. Not far from Rio de Janeiro, they have built a village where they can live according to their customs and their children can grow up equally influenced by ancient traditions and the modern world. The uncommented observation of their everyday lives full of games, laughter and music enables the audience to pose questions – and to search for their own right answers.
