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Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.
Rereading fundamental moments in the history of Brazil, the film studies the development of Brazilian economic concentration from its origins in the land "design" of discovery and colonization - to the irrepressible display of violence in the countryside today. The film is structured in three blocks subdivided into corners: - the first "discovers" the theme of the earth and its characters, focusing on the proper land problem; - the second analyzes land use by studying the agricultural economy; - and finally, the third presents the violence generated by the concentration studied in the first two. First documentary consisting of a large panel of landscape and Brazilian history, filmed throughout our territory and focusing on the land problem - with serious consequences for the current stage of Brazilian development from the discovery to the present day. Set up for greater ease of use, filling a serious gap with schools, unions and universities.
Lena disappears mysteriously during the winter of 1976. This is the last stop on a journey that begins in colonial Mozambique on new year's eve at 1957 gives way to 1958. Ningo, a black boy brought up by Lena's parents, and her childhood friend, comes to Lisbon to help find her, at the request of Lena's mother. Using the letters that Lena has left behind as a testament to her life, in wich she has rebelled against the challenged the powers that be, Ningo discovers the identity of her kidnapper - Jorge Matos - a former secret policeman who has followed her from Lourenço Marques, motivated by morbid desire. Lena's kidnapper dies from two inexplicable snake bites to the neck, in accordance with a legend and ritual that had been part of Lena and Ningo's childhood.
Historically, several borders have been imposed on Guarani territory, causing serious changes. Encounters, displacements, new and old borders permeate the stories of this film, capable of taking us to the sacred territory Yvy Pyte, from where the world emerged for the Guarani—the Heart of the Earth.
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
