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A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime around 2011.
In this feature-length interview, conducted by Robert Fischer in February 2015, Volker Schlöndorff talks about the making of his film BAAL (1969), based on the first play ever written by Bertolt Brecht. He describes his working relationship with Rainer Werner Fassbinder and his group of actors and how the Brecht family hated the film when it first came out, resulting in BAAL’s inavailability for over 40 years.
Russia, its culture and conflicts, the 1920s and 1930s, the avant-garde movements persecuted by the authorities. Gianikian and Ricci Lucchi open the precious workshop of their creation to us: old films, photographs from the Tsarist era, the Russian Revolution, and the years that followed, Angela Ricci Lucchi's watercolors, comments, texts (Chekhov, Anna Akhmatova, Nina Berberova, Tolstoy, Shklovsky, Pushkin, Mandelstam), fairy tales for children. And then the figures encountered during their travels in Russia, “living archives” to whom the two filmmakers want to restore presence and voice. In this way, we discover the materials that feed their new film, in preparation, "Journey in Russia" (2017), making this, as the suffix of the title indicates, "A propos de," "About," a sort of catalog. Gradually, however, these notes acquire an autonomous dimension that encompasses a poetic universe: the intimate sphere of the artists.
The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.
Two high school enemies, uber-jock Harry and out-and-proud Sam, are forced to share a car ride to their Missouri hometown for a friend's engagement party on Valentine's Day. Things take a turn when Sam learns Harry has come out.
A man and woman meet and try to have a romantic affair, despite their personal problems and the interference of their disapproving friends.
Respected lawyer, Henry Turner survives a convenience-store shooting only to find he has lost his memory, and has serious speech and mobility issues. After also losing his job—where he no longer 'fits in'—his loving wife and daughter give him all their love and support.
A dense work, citing everyone from Tarantino and Verhoeven to Artaud and Chaplin, made for Godard's exhibition at the Centre Pompidou, Voyage(s) en utopie.
A short documentary on the making of Blade Trinity.
It's midnight at the bookstore and all the book and magazine characters are coming to life. When a bulldog from an adventure book uses a Boswell Sisters-like performance by girls in a travel magazine as a distraction to rob a bank, he is chased, caught, and sentenced to, of course "Life" (the magazine). But there's also a conveniently placed "Escape" magazine....
Because of a mentally ill mother and abusive relationships, Sara's attempts at happiness turn increasingly selfish and desperate, until her image of a happy life shatters completely.
Made up of footage of a protest manifestation of mothers whose children had been summoned to serve in Soviet military forces and sent to the zones of Transcaucasian conflicts.
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
Four sexually hungry high school students preparing for their university entrance exams meet up with an inebriated teacher singing bawdy drinking songs. This encounter sets them on a less than academic path.
A man awakens to find himself immersed in a real-life scenario of a board game with an ever expanding cartography.
Regina meets charming Joshua while vacationing in Martinique, as she contemplates ending her whirlwind marriage to enigmatic Charlie. Upon her return to Paris, she finds that both her apartment and her bank account have been emptied, and her husband has been murdered. The more Reggie learns, the more she realizes the scope of the puzzle which she must solve to protect herself from ever-increasing danger.
