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Friend, instructor and student of Picasso, a welder at Renault, a painter and goldsmith – Julio González was all of these. The Catalonian gained fame as the father of modern iron sculpture and as the creator of linear sculptures. Using a welding torch, he began making sculptures from iron and developed a formal language reduced to basic elements. Film-maker Barrie Gavin travelled from Paris to the Riviera via Barcelona, re-tracing González’ footprints. He visited art experts such as Margit Rowell and friends such as Hans Hartung, and in doing so introduces us to the life and work of one of the greatest sculptors of the 20th century.
The remarkable life of Britain's long-living royal, the Queen Mother, is lovingly remembered in this documentary double feature. In Portrait of a Great Lady, beloved actor David Niven guides viewers through the Queen Mum's life, which oversaw pivotal moments of the 20th century. The second feature, Queen Elizabeth: The Queen Mother: 90 Glorious Years, is narrated by Richard Baker.
Millennials are the children of default. Now they are 18 years old. They are lovers of Brodsky and strong alcoholic drinks. They talk about what needs to be done, they understand a lot of things that are almost impossible to understand, but they all end up with the same thing, vodka and cheap champagne. What will happen to them next?
With the young Friedrich Engel’s letters and drawings from the years between 1838 and 1842, a unique cinematic portrait is created. The viewer thus gets to know the young Engels personally, learning about the significant moments of his development from a bourgeois-liberal upbringing to the theoretical partner of Karl Marx. Later be awarded the Gold Dove at the International Leipzig Documentary and Short Film Week.
As coronavirus begins to sweep the globe, Zhang returns to her father’s village with her camera, seeking to understand where the extraordinary phenomenon might sit in the grand palimpsest of China’s history. As with all of Zhang’s work, this is a committed, reflective, formally assured non-fiction film, grounded in collaboration and blessed with an uncanny sense of unhurried time.
Stories united by the Revolution of Dignity. Charismatic and honest characters tell about their own Maidan: Lesia Khomenko, Alevtyna Kakhidze, Maks Vehera, Oleksii Furman and Bohdan Kutiepov.
Documentary about Santos Busto and Concepción Berasaluce, Spanish refugees who arrived in Chile because of the civil war, fifty years after their arrival.
A portrait of Serbian folk singer Pavle Stefanović (1928-2009).
An inspiring portrait of Belorussian artist Ales Pushkin, who uses his performance art to wage a mini-resistance against the regime of President Alexander Lukashenko.
In this humorous review of her journey in our world, Odete Lara reveals all her authenticity and lucidity in front of the cameras.
David Attenborough examines the ways in which animals and plants adapt to their surroundings.
In the Chinese countryside, an old woman tells the story of her deceased son, while a little girl paints her dreams on the walls of the house. A personal and attentive perspective on the territory, which articulates the memory of a disappearing generation and the hopes of the one to come.
The newest instalment in a series set in a small village in a mountainous region in China. In the winter marking ten years since the director began filming, she tries to get a new building constructed in the village. The girls, who had thus far been the subjects of her films, take up the camera themselves, and begin recording scenes of the village.
This is the fabulous tale of Grisélidis Réal, prostitute and poet, woven together from images and archive material that conjure up her extraordinary life and world. Her writings chart her days spent in a Swiss brothel and her time as an activist in Paris, tracing her political ideals as this impassioned woman took the world by storm. It’s a pure joy to (re)discover her texts here, as if in an exquisitely revised edition.
This is the fourth film in my self-portrait series. I went back to the village named 47 km in 2013. My grandfather was critically ill, and I accompanied him like accompanied the death. The old people and their memories are like dead leaves. I got familiar with the children and we acted together to build a bookroom in village. Between the solitary old people and the naïve sunshine children, can I find my dream here?
Chen Sheinberg's passion is insects - filming them, to be exact (in the spirit of the great proto-Surrealist Percy Smith) - more often than not with surprising and somewhat scary results. It's only fitting then that he identifies with them - even in death.
The film is dedicated to the work of one of the most famous Russian composers, the author of the first Soviet rock opera Alexander Zhurbin. The 4 episodes tell about the different facets of the composer's work, about symphonic music, about musical theater, about cinema, about pop songs. The film is built as a monologue of the protagonist, the shooting was carried out in Moscow, Tashkent, New York, St. Petersburg. The composer's wife, poet and translator Irina Ginzburg, and the son, composer Lev Zhurbin, take part in the film.
Between 1959 and 1961, more than 35 million people starved to death because of Mao’s Great Leap Forward policies. To avoid censorship in China, this painful period is now euphemistically referred to as the “Three Years of Natural Disasters.” This courageous oral history, directed by Zhang Mengqi, tells the story from the point of view of her grandfather’s village, to which she returns every winter to interview survivors. Central is moving voice-overs from a grandmother who details harrowing pregnancies and lonely births during the Great Famine and her granddaughter, a migrant worker. In this agricultural village, the landscape is stark yet beautiful with plenty of room for contemplation. When a hand appears in front of the camera, Zhang transitions into a delightfully playful territory, incorporating a uniquely participatory experience that extends beyond the screen.