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After returning from a long African exile, a sixty-year-old woman leaves her unfaithful husband and starts anew with her five-year-old granddaughter.
In the Baruya tribe on the highlands of Papua, far from the sea, men make vegetable salt and pass on this knowledge from father to son. But this salt is not a food, it is their currency; a currency that attracted the lust of the first whites arrived in 1951...
A young musician girl in family rupture, a maricidal woman in talks with her conscience, a clergyman out of norms and a disillusioned gangster. Four colorful characters meet in necessarily bizarre circumstances. After a period of mutual distrust, they gradually get used to each other and even end up finding a common passion, music. No doubt because music knows how to give a soul to our hearts, strong bonds are forged between the characters. Along the way, they try to manage the present, finding "original" ways to deal with material necessities. But the past is not always so easily forgotten. So many things escape us.
In 2011, Ford's workers of Blanquefort have saved their factory and a thousand jobs. But victory's joy quickly move on to new fears of shutting down. Rapidly, those fears became reality, until thedefintive stop in 2020. This film recount their last year of battle, drawing the portrait of a group lead by Philippe Poutou.
Among the first movies to deal with the subject of the Holocaust, this documentary about Jewish war orphans opened in New York in September 1948 and has rarely been seen since. According to film critic Jim Hoberman, the film was modeled on Children Must Laugh, a pre-war Yiddish-language picture about Jewish orphans.
Olmany, Terebejov, Gorodnaïa: Three villages in the Stolyn district, Belarus, 200 kilometers from Chernobyl. In this area, the radiation rate was considered too low to justify the systematic evacuation of the population. Sixteen years after the disaster, life continues in a seemingly unchanged landscape. These farming communities face an invisible threat on a daily basis.
Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.
Victoria Mercanton’s unusual French documentary from the early 1950s provides insight into the cult of Stalin worship by members of the French Communist Party. The film evokes different types of Stalin worship, from the individual to the collective one, and depicts a highly heterogeneous set of exhibits at a French exhibition in tribute to Stalin. Banned for commercial and non-commercial distribution in France, the film won the Best Short Film Screenplay award at the 1950 Karlovy Vary Film Festival.
A mobster is determined to find the drugs his mistress stole from him before running off with a young hustler.
The last film prohibited by Francisco Franco. Jean-Marie Buchet plays the role of a collector of used tampons in this avant-garde comedy-adventure film.
