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The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.
The director lost her three uncles. She returns to the cemetery where they are buried. Mixing super-8 home movies and 16mm travelling shots in the alleys of the cemetery, "We came back to chesnut tree avenue " is a tribute to their invisible presence.
Biopic of Pauline Julien.
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One day, Jean-Christian Riff notices two boys playing a mysterious game under his window. He films them. This is the starting point for a film that, without the camera ever leaving its unique position behind the window, progressively opens up the circle of perceptions and emotions to the dimensions of the world. The space makes this cosmological miracle possible : a bus stop, a riverbank and the river that runs along it, but also the filmmaker’s appartment, where daily life and its sounds resonate : a multiple scene upon which pass time, seasons, beings of all ages and conditions. This film is its author’s last, as he died just after having finished the editing. It is life itself, made poetry. (Cyril Neyrat)
The fascinating life of dedicated zookeepers of Parc Safari, one of the largest zoos in Quebec.
Focusing on the work of cartoonists in Egypt, Algeria, Syria, and Palestine, this documentary examines how comic strips and caricatures are becoming a vehicle for dissent and a voice for freedom of expression in the Arab world.