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The lock that gives way, a door that opens, the cries of joy that ring out: a condemned building has been freed. As simple as hello, the reappropriation that opens Christophe Coello's film is initially a moment of intense vitality. The jubilation of thwarting the plans of the real estate firm that had undertaken to empty the building of its inhabitants, the jubilation of giving back life to a bit of the dead city, the jubilation of taking over a building under the very nose of the property developers and to the relief of the remaining neighbors.
In Bimbo, on the outskirts of Bangui, women have come together in an association that practices micro-credit. One sells coffee, another alcohol, another fish. With their small businesses, they feed their families, because the time is long gone when men provided for the needs of their homes alone. From now on, for women, there is no choice: you have to fight.
This production lifts the veil on a little-known disease caused by the bite of infected black-legged ticks: Lyme disease. Discussing its transmission methods, its spread, its devastating effects on victims, the prognostic and the treatments, this documentary reveals an infectious disease growing in Quebec and round the world.
La vie est dure, nous aussi is a sentimental comedy with a protagonist who is extremely discreet, extremely solitary and extremely egotistical. Charles, a native of Marseilles, is now living in Paris, and he has to take care of the dog of a girlfriend. He is also an insomniac and a hypochondriac. But he has one virtue: he loves to listen to people. Walking the dog opens up new territories for Charles who is discovering something new each day. One day a girl crosses his path, and he immediately recognizes her as the love of his life. There is one problem. How is he going to find her?
"The film Je, Nous, I or Eye, Us is a mini essay that replies to a question about subjectivity in the 1970s while I was making my film 'The Camera Je, La Camera: I' about taking photographs. The new film from 2014 uses footage shot at the time of The Camera: Je but never used in 1976 and 1977 and adds to the 16mm film a series of titles about a photographer’s subjectivity then and now." (Babette Mangolte)
Paul tries to prove his worth to his father. However, for that to happen, his father would have to give him at least one chance.
"When We Were Little Kids" was directed by Henry Brandt in 1959 in a little school in Taillères. It follows a school class for a year.
Olmany, Terebejov, Gorodnaïa: Three villages in the Stolyn district, Belarus, 200 kilometers from Chernobyl. In this area, the radiation rate was considered too low to justify the systematic evacuation of the population. Sixteen years after the disaster, life continues in a seemingly unchanged landscape. These farming communities face an invisible threat on a daily basis.
After returning from a long African exile, a sixty-year-old woman leaves her unfaithful husband and starts anew with her five-year-old granddaughter.
In the Baruya tribe on the highlands of Papua, far from the sea, men make vegetable salt and pass on this knowledge from father to son. But this salt is not a food, it is their currency; a currency that attracted the lust of the first whites arrived in 1951...
