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The Phantom Dancer appears in the collective imagination as the symbol of the essence of Theatro José de Alencar. Her spirit, which reflects her moments of glory, floats in the imagination of those who experienced and still cultivate her grandeur. The ghost of a majestic past intertwines with the stories and legends of the place. In memories, curiosity enchants those who are in the midst of their nebulous existence.
A Yanomami woman watches a shaman prepare the Yãkoana, food for the spirits. Based on the narrative of a young indigenous woman, the Yãkoana that feeds the Xapiri and allows shamans to enter the world of spirits also proposes a meeting of perspectives and imaginations.
Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.
Every man wants Maria Helena... she has a pimp called Marcelao who wants her to do porno movies. Tired of everything, she leaves everything for real love and passion.
There is a house by the river. In this house, a woman. Her eyes carry a sadness. In her solitude, the river becomes her main companion, her confidant, and finally her lover.
Alberto Verani is a married farmer and a relentless womanizer. When his wife Marina is away he tries to seduce Condessa Arduini sending her a bouquet signed anonymously. However Marina is the one to find the gift and hides it from Alberto, believing she have a secret admirer. So the husband keeps sending her flowers to test the fidelity while an outsider man discovers the plot and start to takes advantage of it.
The faces of ten women, actual mothers of [pH2]: estado de teatro’s members, expand the face of Helena Failure and enact the misfortunes that tackled her life.
Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.
When a doctor sees her wife going through depression, he comes up with all sorts of ways to cheer her up, but no matter how hard he tries, things just get more complicated.
Documentary about the damned VHS filmmaker Petter Baiestorf, author of over 100 visceral films.
Anamaria de Carvalho is part of Rio's urban culture and has become a symbol of one of the most famous neighborhoods in the world. Nothing is more coherent than showing the premiere of the documentary at the Oi Futuro cultural center, also in Ipanema, a reference in music and audiovisual", says Maria Arlete Gonçalves, director of Culture at Oi Futuro.
Experimental short, focusing on both a woman and a watering can sharing the same swimming pool.
In 2057, the climatic chaos took over the planet. The richest are colonizing Mars, while the poorest remain in the same place. A woman returns to one of the favelas of the Tide in search of rediscovering what motivated her to join the rebellion.
I love you! Says the wind to everything he touches. I love you and you are part of me.
Three Brazilian pioneers, who struggled for the first time to exercise a role previously only allowed to men illustrate the trajectory of women's struggle from the beginning of the 20th century to the present day.
