A Lett

Idol Ryoko Sano - C'est Laitue, 1987 VHS tape. Original 1st video, Lettuce no Love Report.

Also known as “Letter from Venice,” Susan Sontag’s fourth and final film tells of a relationship that is fragmenting as the partners tour the decaying ruins of a hallucinatory Venice.

An animated colour film in which the artist has free rein to show how he thinks letters got from one place to another in the early days of Canadian transportation. The film's colour, style and sparkle make this view of the subject a lively one for most people, and there are some facts of postal history for those who are interested.

A bereft woman struggles to cope with her grief as she goes through her daily life.

The story is about a young man with a relatively large nose, who is ashamed of his enlargement relative to the normal size of the nose, so he tries hard to get rid of this defect in different ways. In other words, "a messenger of love" to send him oral oral messages, the reason that paves the way for the birth of a love story between the girl and the middle man resulting in many problems between the people of the village.

When a heavyset girl discovers that whatever she does to her body physically affects her bully, she has to decide how far she's willing to go to exact revenge.

Daisy tells the story of real life porn star Daisy Rock and her involvement within the controversial and multi-billion dollar "Adult Film Industry". It depicts her story as she contemplates her life whilst shooting a film in Ibiza and delivers a deep insight into her personal life as a porn star. Described by Emily Dubberley of Cliterati as "The greatest film ever about the adult film industry", the story of Daisy is unadorned and authentic, without glorification or prejudice. Exploring what it's like to have sex on camera and examining what really goes on behind the scenes, this is a no-holds-bar film.

What makes a mother give away her baby? This is the big question in Sun Hee Engelstoft’s poignant heartbreaker of a film about three Korean women who have become pregnant outside of marriage and are now hiding from the outside world until they give birth. They live in a shelter for unwed mothers on a South Korean island, where beautiful landscapes are in sharp contrast to the fierce dilemma that women go through: should they keep their children or give them up for adoption? Engelstoft has been given unique access to this particular shelter run by the strong-willed Mrs. Im, who fights for the girls’ independence but is up against a social structure and family tradition that leaves women in an impossible situation. Engelstoft’s sensitive portrait brings us close to a forbidden world and through her own experience as a Korean adoptee, she gives a deeply personal and extraordinary insight into a culture in which women can’t choose their own fate.

Raisa’s (Raisa Andriana) accidental meeting with her idol, Sora (Maruli Tampubolon), a talented pianist, grows to dating. But, the relationships is disturbed when he gets the scholarship to continue his musical studies at Juilliard School of Music, New York. They parts. Promises pronounced, that after finishing the study, Sora will make an album of music for Raisa. Two years later, with the same clothes when accompanying Sora to the airport, Raisa picks up her lover. The plane from New York lands according to schedule, but Sora is not in that flight. Jasmine, Sora's mother, said he lost during the hurricane Sandy swept New York.

When a love letter falls into Sara's hands that is not meant for her, but whose addressee remains unclear, her curiosity is aroused. The words on the paper have caused something in her to resound, which she wants to trace. The surprising path of feelings makes its way through the jungle of life.

After the pandemic separates them, an international couple writes long-distance letters to each other while they face uncertainty and wait to be reunited.

An honest man puts an ad looking for a room to rent in an honest house and receives five peculiar answers.

After a successful robbery the culprits, from very different backgrounds, at once turn on each other.

A married society couple (Dorian and Warren) persuade an unmarried pair (Valentino and Myers) to take their places at a party while they pretend to be the servants.

Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)