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A young boy, who works summers as a professional letter writer for local illiterate travellers, falls in love with the object of his customer's affection.
In Belleau Wood, France, during the Great War, a soldier named John writes a letter home to his wife Sara in Milwaukee. He writes that her picture "helps me remember what it was like to be me." He tells her about sorties into No Man's Land, and that they have orders tonight to charge. Then, his letter becomes a report of that charge: toward an armed German soldier who doesn't fire, even when John reaches him and jumps into the trench beside him. What happens next brings silence and an end to the letter.
In the summer of 2021, Johan Chang, who lives in Taipei, and Masa Kudo, who lives in Tokyo, began a video correspondence with the rule that reply by quoting sounds or pictures from the images sent by the other. It was during the period of COVID-19 that two filmmakers couldn’t meet in person. Letters, which have been used as a means of communication since ancient times, with the effect of condensing, deepening, and materializing emotions. The letters sent to each other, evoking the senders’ daily life. The work shown in this screening is part of a two-year video correspondence that has been compiled into a circular work with no beginning and no end. Each letter is a complete small world.
A short film entitled "A Letter To Claudette Colvin", written and directed by Victoria Wilson bringing awareness to Colvin's involvement in the Montgomery Bus Boycott which ignited due to her refusal on March 2, 1955.
A personal letter written in the “feminine voices”, desires, struggles, conflicts, and assertive in its senses, feelings, and emotions permeates our daily existence.
Alejandro is a divorced man who lives alone in his apartment. He has a daughter and apparently has or had a relationship with a woman named Mercedes. He goes through his quarantine for the pandemic all alone, until Pablo's abrupt arrival…
A person failed to deliver his love letter.
A lesbian love story and drama following ex-partners, Jodie and Anna, as Jodie tries to come to terms with how and why their relationship ended.
An animated ride through New York City's world-famous subway system. Whimsical drawings, anchored in the train letters and numbers, show off the bonds that local New Yorkers have with the subway, their communities and their neighborhoods.
In part 1, a married couple take care of their new baby. In part 2, Leif Juster on stage presents a series of cooking and housekeeping tips. The fourth in a series of Norwegian commercial compilations addressed to "the modern housewife".
The movie revolves around the ups and downs of the life of the "Windswept Lady" Doan Thi Diem, a real-life figure who lived in the 18th century.
Jack can't sent out his letter to Father Christmas...will the Mr. Happy help him ??
Shuttling through different transportations, several Chinese students wander around different places in Boston, from crowded downtown to calm outskirts. We can see them on the way to somewhere, look like an encounter, a gathering, or a separation will happen to them, then they disappear in the frame. Life seems to be going back to normal, but certain undercurrents are still hidden in those stagnant slices of everyday time.
A woman tries to capture the difficulties of caring for her ailing husband in a series of letters to her daughter—letters she can never send, as her husband refuses to tell anyone, especially their daughter, of his illness.
A homage video made on the verge of the centenary of Sven Nykvist, the great Swedish 'philosopher and artist of light'.
In the winter of 1977, Liz left her husband and four small children at home in Australia and came to New York City on a Fulbright award. There she met Kate, a paradigm-shifting feminist scholar, and they fell in love at first sight. Back then, it was a given that any lesbian mother was deemed unfit to raise her own children. But Liz’s newfound passion and self-discovery gave her the courage to fight for her kids, and for herself. In “Love Letters,” the traditional patriarchal values of the era, in which women and children were seen as possessions of men, collide head on with the newly energized, audacious lesbian feminist movement. The highly charged custody case uses courtroom line-drawing animation and verbatim testimony to tell a dramatic story of social ostracism and personal triumph. This is the story of a blazing lesbian love affair, begun in the revolutionary feminist ferment of 1970’s New York City and still going strong almost 50 years later.