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Life does a 180-degree turn for bitter spinster Lettie (Mary Tyler Moore) when she takes in her 9-year-old grandniece, Travis (Holliston Coleman), in this Emmy Award-winning movie. Confused by her aunt's cold treatment, Travis attempts to uncover the reason for Lettie's self-imposed seclusion by befriending farmhand Isaiah (Charles Robinson) and Lettie's former beau Sam (Burt Reynolds). Can the three reawaken Lettie's long-gone love of life?
A love letter of the director to his children in Iraq, while preparing their favorite meal.
A short film by David Shrigley. Designed & directed by David Shrigley, animated and composited by James Newport.
Faced with crippling addiction to a strange, mind-altering drug, young Jeffrey Hawthorne finds himself in danger when he inadvertently becomes involved with a drug cartel that is ran by a sinister, rabbit worshiping cult.
Talking to a stranger can be very therapeutic for the fact that you can say exactly how you feel without fear, judgment and insecurity. But what happens when that stranger becomes a reflection of the decision you should make?
A man and a woman meet after years being separated. They speak about the past, love, sex and random things. He wants her but she is unsure. In a parked car facing Montreal skyline, the couple get high thinking about tomorrow.
Korean Drama Special The Red Teacher
Filmmaker Don Howard's darkly comic chronicle of death, religion, and football in his home town of Waco, Texas.
In Vietnamese artist Thi Nguyen’s tranquil essay film, a letter exchange unveils the changing uses of space in various provinces and the different ways its inhabitants remember history.
Our medical system is geared toward healing patients. But what if there's no cure available? This moving, intimate documentary uses three cases to explore how hospice care prepares both terminally ill patients and their families for a gentle, safe passage. While patients are given comfort, companionship, dignity and peace, families are prepared for their inevitable loss.
A video essay by Luís Azevedo using the words filmmaker Chris Marker spoke about himself to tell his story. In 1958, after watching LETTRE DE SIBÉRIE (1957), André Bazin wrote that Marker’s first feature film resembles nothing hitherto seen in documentary films: “The important word is ‘essay,’ understood in the same sense that it has in literature – an essay at once historical and political, written by a poet as well. Generally, even in politically engaged documentaries or those with a specific point to make, the image (which is to say, the uniquely cinematic element) effectively constitutes the primary material of the film (…) with Marker it works quite differently. I would say that the primary material is intelligence, that its immediate means of expression is language, and that the image only intervenes in the third position, in reference to this verbal intelligence”. In 2017, the intelligence in his essay films still flows in the fringes of filmmaking.
João de Deus receives a treat from a friend, unclogs his bathtub, and contemplates Lisbon from his window.
A mysterious thriller developed by secret love-hate play around women captured in ruins.
Ruth was becoming luke warm in her faith, when she asked God to restore it to where it once was. When she receives a letter from Jesus telling her he is coming to visit her, something happens that restores her faith and helps several others as well. But how?
An homage to Los Angeles, this film follows five poets and members of a public open call hired to write fifteen-word love letters responding to the heartbreak of the pandemic. Produced in partnership with LA County Library, the poems scroll on LED signs at ten LA County Library locations and place public grief and hope center stage.
The Letters That Guided Us opens in the wake of the US involvement in the Vietnam War. William Warren has just returned home from his tour and is seeing home and the people he left behind for the first time in years. Through the course of the 30-minute film, the audience hops into an adventure meeting allies, enemies, and people in between as they track three distinct storylines of William's life.
Explaining how letters are used.
