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A filmed diary that the director, Silvia Staderoli, addresses to her 16-year-old daughter and to all teenage girls around the world. In the context of France in the era of “Me too,” her daughter's hopes for a better future collide with the reality of daily, systemic gender violence. The “land of women” of the title does not exist, but alongside the bitter realization of a male-oriented society, the tension and collective effort for radical change emerges. Between cinema, confession, and literature, the film is a chronicle of life moments and encounters with women committed to fighting gender violence.
Camille writes a letter to her unborn child. Recently diagnosed with bipolar disorder, she does her best to prepare for life as a new mother.
One Saturday in spring, Simone, 17, receives a letter that will be a source of endless anguish. The strong ties with her sick father, André, although she loves him as much as he scares her, sometimes take up too much space in her life and prevent her from imagining a life elsewhere.
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Based on the fairy tale by Rudyard Kipling.
