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An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.
An undocumented Mexican immigrant agrees to marry a broke, drunk American woman to avoid his deportation and settle her debts, with the help of the most crooked gay drag lawyer in New York.
One night, a group of workers realises that the administration is stealing machines and raw materials from their own factory. As they organize to survey the equipment and block the relocation of production, they are forced to stand at their posts with no work to do, as a form of retaliation, while negotiations over general lay-offs take place. The pressure leads to a breakdown of the workers along with the world around them.
Inés works as a seamstress in a sweatshop where pregnancy tests are periodically administered. When she becomes pregnant, she is sure that her condition will get her fired. She does everything she can to keep it a secret.
1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.
Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.
In a parallel Argentina, factories are production spaces for various artistic activities whose income is regulated by a state commission. Jorge, the manager of one of them, seeks to impose a post-dramatic work in the theater area to lower costs and increase profits. However, the claim generates a conflict not only with its workers, but also with the modes of representation.
A cinematic portray of the everyday in a factory,the most simple acts and the violent acts that synthesizes frustration in human relationships.
At the horizon just the top of a tree and the chimney of a factory. In the heavens, the clouds blend with the smoke that flows incessantly. This is the start and also the end point for this visual essay, exploring the rhythmic, associative and sensory potentialities of glitch and digital imagery to address the dichotomies between aesthetics and politics, abstraction and figuration, contemplation and thought. At the limit, the film questions how easly the abstract landscapes of the intellect make us lose touch with the concrete reality and our senses of action.
The sound was deafening. The noise of the machines, the steps, the daily hustle of the more than a thousand workers, entering and leaving the shifts. There were 12-hour days, people without holidays, a stolen youth so that the cloth would continue to leave the factory. The revolution came and everything changed. Strikes, picket strikes, worker’s rights. Then the globalisation came. The factory went down to close. We went back to it, with the former workers, the old and the young. The machines continue to work in the empty spaces, the ghosts wander illuminated by traces of light until the walls begin to fall.
Produced in 1922, this 9-part silent documentary is an important document of the beginnings of industrialization in Brazil and the conditions of workers at the time.
Short film where a Spanish coal factory is filmed.