A Film Portrait Of Richard Serra

Zurich in 1519: The young widow Anna Reinhart lives a barren life between fear of the church and worries about the future of her three children, when the arrival of a man in the city causes turmoil: The young priest Ulrich Zwingli takes up his new position at the Grossmünster in Zurich and sparks fierce discussions with his sermons against the grievances of the Catholic Church. Zwingli's revolutionary thoughts frighten Anna. But when she sees how Zwingli lives charity and not just preaches, she increasingly becomes fascinated by him. But Zwingli's success quickly becomes dangerous. His ideas almost trigger a civil war, and at the same time a struggle for power and interpretive sovereignty breaks out in the inner circle of the movement. When the Catholic forces begin to form internationally, the relationship between Zwingli and Anna is put to a hard test.

In 1983, Franz Paludetto acquired Rivara Castle at the foot of the Italian Alps. A century earlier, artists from all over Europe had gathered here to establish the Rivara School of Painting. We witness the story of Italy during the latter half of the 20th century.

A woman takes a shower when she suddenly hears something. What is causing the sound and what is it that we see?

Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis' sister comes to stay, we see both sides of Henry: "the guy next door" and the serial killer.

In a nostalgic Moscow of 1976, an unlucky actor meets a charismatic writer, a living classic of Soviet literature, who turns his life into a tragicomic farce with the artistic bohemia, foreign-currency prostitutes, the KGB staff and agents of the CIA.

The man was called the "Manslayer Demon. One day, he stabs a rival gang member to death in the dark. A rookie female cameraman happened to capture the moment. The man was sentenced to five years in prison for the scoop footage and is tossed about by the passage of five years. Gradually, the man is forced to leave his home, but he soon regains the eyes of the "beast" he once was...

TV adaptation of the Henry James novel

A young woman experiences the worst life has to over in this depressing but worthwhile Colombian drama tinged with a hint of magical realism. Paola Baldion plays Marina, a withdrawn teenager whose abusive grand-dad houses her in a dilapidated shed. When the old fart pops his clogs, Marina passes into the care of cousin Jairo (Julian Roman), a cheesecake photographer who "hires" her to help him with his gear, and the two end up taking an episodic road trip as they travel to reclaim grandpa's legacy. Unpleasant flashbacks to Marina's tragic childhood ensue. Yep, the good times never end in this one! Known in English as Portraits in a Sea of Lies, this meditation on the 50-year long Colombian civil war - as seen through the grueling experiences of our heroine - won the Jury Award for Best Narrative Feature at the 14th Cine Las Americas International Film Festival.

In the early 20th century, Lazar -a taciturn woodsman- asks the disenchanted portraitist Arkadi to immortalize his child. The execution of this portrait will unsettle both men while revealing their inner fears and change their outlook on life.

A crime thriller seen through the unique angle of a young forensic sketch artist, who works in the investigation unit of the Police Department. As part of a team, she will help try to solve a laundry list of sordid crimes across the city and also tackle cold cases that have been set aside so that justice will be finally served … even if old wounds are opened in the process.

The events of several days spent by the married couple - artist Pavel Alekseevich and his wife Nina - in a small country boarding house. For him, this is an opportunity to collect his thoughts and finally, after many years, write a new picture. The usual life of vacationers is mushroom hikes, boat trips, a costume ball, if not for Nina’s attraction for another man...

A well bred lady married to an older professor has wild daydreams of repressed desires involving bondage and humiliation. A submissive SM artist who was a student of the professor and his dominating girlfriend have just the answer for her problem.

Octave, a young painter, realizes that his wife Marianne has left without a word or explanation. With his best friend Alfred he wanders the streets of Paris, in search of Marianne.

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

French film critic Michel Ciment interviews Billy Wilder about his life and filmmaking.

Portrait of the filmmaker’s mother in her garden. Part of the Portrait Series by Maria Klonaris & Katerina Thomadaki, the film was initially presented as an interlude during the multi-projection performance of Unheimlich III: Les Mères at Centre Pompidou in 1981.

Shot while he was preparing Un Flic, Melville carefully leads Labarthe through the trajectory of his career, from his daring debut The Silence of the Sea to his great successes of the 1960s, Le Samourai and Le cercle rouge. Labarthe also details the development of the Melville “myth: the dark glasses, the trenchcoats, the Ford Mustang, and his general tough-guy demeanor. This documentary first appeared as an episode on the French television series "Cinéastes de notres temps".

Paul has to leave his country home to collect his father's inheritance of a department store. A natural-born son, Paul's stepmother gives him a cold reception, and he's appalled by the behavior of his half-sister Dominique, an existentialist of the highest order. Paul's gumption restores the Galeries Parisiennes to its former glory, and he gives a farewell present to a more subdued Dominique. He returns to his village, arm in arm with the wise Marie-Louise, ex-saleswoman at the Grand Magasin.