A Film Portrait Of Richard S

A mockumentary directed by Christoph Schlingensief.

A twisted tale of crime, trust and desire, Framed! shows three perspectives of an unconventional robbery: The Curator’s, The Ambassador’s and The Professional Thief. However, there is more to this peculiar crime than it seems...

Sketches. We see human crash tests: a human hits a wall at five miles per hour, 50 mph, and 3000. A woman kisses a man as he listens to his Walkman; through the kiss, she experiences the music. We see the trouble with face-lifts. We watch the early history of the mob: a cowboy mounts his horse, digs in his spurs, and ... kaboom! We watch a pursuer get his just desserts. Then, an ape evolves into a man who evolves into an American football player, hunkered down on all fours. Four pieces of furniture express their love when the humans are out of the room. Last, the ultimate car alarm humiliates a thief.

An elderly man's son, dissatisfied at living with his father's senility, forces his wife to abandon his father in the park. Another couple take pity on him and invite him to their home, but when they realize how much care he requires, they return him to the park.

A short portrait of Jonas Mekas on the occasion of his 2002 retrospective in Paris (for his 80th birthday). Through film clips and interviews, Mekas recounts his arrival in America, his early life in New York and his first filmmaking experiences. An introduction to his life and work.

The director Vít Klusák is shooting a film about his father, the well-known composer Emil Viklický, but the latter wants nothing to do with it. This creates a portrait without portraiture, since the director places a double in the role of his father, whom he finds through an advertisement published in newspapers. What is interesting is that Klusák does not know his real father personally, but only meets him (or fails to meet him) for the second time in his life while filming...

Manfred Durniok (1934-2003), German film director and producer, shot his first short documentary films in the 1950s and 1960s. At the end of the 50s he got to know Oskar Sala (1910-2002) and took advantage of the composers electro-acoustic and musical skills in many of his subsequent black and white motion pictures.

A film about the life & time of ex The Homosexuals bass player Xentos Jones Luke Fowler's The Way Out: A Portrait of Xentos Jones, made in collaboration with Kosten Koper, is a tribute to underground punk musician and film-maker Xentos Jones and his band The Homosexuals. Fowler collages together diverse material related to Jones including interviews, music and even found fragments from Jones' own experimental films to create a haphazard and intriguing portrayal of this maverick character.

A short portrait of director Ousmane Sembène.

The young generation sees their future at risk. They rebel against a lifestyle that threatens to destroy the world. The corona crisis also highlighted the deficits of our globalized economy and society. Does this crisis hold a chance for change for the better? The film draws a picture of the mood of the young generation and goes on a search for traces of ideas and concepts for a world after Corona in France, Germany and Poland. What is really important for young Europeans and how do they assess their future prospects? What scares them and what makes them hope? And who stands in their way and brakes? The TV presenter Aline Abboud meets young activists and artists for this, but she also listens to the opposing voices. Especially in Poland the youth are deeply divided, more and more are getting involved in conservative or nationalist right-wing organizations, while the country is slowly drifting into an anti-democratic dictatorship.

Animated look at an ever-changing portrait of a man and a woman

Portrait of a French mercenary working in Libya, hired by the Phalange to train the militias. War leaves its traces; and for some, who see death as part of the job, it’s a vocation.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

In the form of an investigative report, Super Woman offers a dive into the world of transvestites and transsexuals who, in 1975, brightened up certain Parisian cabarets such as the Carrousel, the Etrier, the Alcazar or Chez Michou... The latter introduces us to two of its stars, Duduche and Fifi, who evokes his encounters with Sylvie Vartan, whom he imitates to perfection. Then an investigator goes to the Carrousel and meets Claudie, Laurence, Peggy, Albane, Griselleda, Maryline and Kristel.

Here is a very rare and unknown documentary directed by Alain Resnais when he was still a student, part of his series about painters of his time. The film is only 6 minutes 20 seconds but it has an audio track, which is not the case with all the films of the series.Christine Boumeester was Henri Goetz 's wife and Resnais also directed a documentary about him.

A conciliatory review of the life of the author using the techniques of animated film. In 1972, Selfportrait received the award of the New York State Council.