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Argentina is not a country with too many industries, but this documentary demonstrates that it has one very developed: the football industry. The film meticulously describes how a football star is "manufactured": from the work of the headhunters that roam the country seeking in lost villages children and preteens and even the work in the Primera División clubs like Boca Juniors and Estudiantes de La Plata, where they are formed to then be thrown into professionalism.
The documentary deals with the experiences, pain and dreams of three black solo mothers from the outskirts. Joelma is the coordinator of the Mário Andrade Community Center, a space created from a tragedy that unfortunately repeated itself and left thousands of victims in Brazil and around the world: the loss of a child due to police brutality and abuse of authority. With the Center, Joelma, Patrícia and collaborators, despite the painful past, transform Mário Andrade's memory into hope and care, helping more than a thousand families in the Paz e Amor community, where it is located.
A large number of workers, mostly young women, leave by the front door of their work place at lunch time. The building has an impressive colonnaded facade, and is located at 181, Santa Catarine St., Porto - one of the city's main streets. A passengers' horse cart crosses from right to left of the screen, and a few seconds after an ox cart carrying merchandise crosses in the opposite direction. All the while, workers keep leaving the factory, giving a sense of a large work force.
Tirelessly pushing the waves attacking the shore.
The film is a classical process-film that describes the making of commercial products, from initial manufacturing of raw material to final selling.
Short film showing workers walking past the camera while leaving Cardini's iron furniture factory located in La Rioja Av, San Cristobal neighborhood in Buenos Aires. The director filmed the workers leaving his father's factory in a similar fashion as the Lumiere brothers. The short was considered lost for many years until it was found in 2020 by Lorena Bordigoni in the Polish National Center for Film Culture, to be then restored in 4K.
Anezia dos Santos talks about her childhood in the Vila de Operários da Sociedade Anônima Fábrica Votorantim, in the interior of São Paulo.
