A Conversation With The Ocean

Six of Japan’s emerging design talents collaborate with six models with diverse personalities and bodies, some accompanied by wheelchairs and prosthetic limbs. The Quest: to push the limits of fashion as we know it.

A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.

Lebanese filmmaker Dima El-Horr moved to Paris several years ago. Among the friends who stayed at home is the artist Sirvat Fazlian, whom she regularly visits in Beirut until the failed revolution of 2019, the COVID lockdown, the devastating port explosion and finally the dramatic economic crisis put a temporary end to their meetings. So the director decides to give her conversations with Siro a cinematic form.

Juan Siegman is an uninspired film director. He is writing a science fiction script with the help of Ian, an anthropomorphic robot. Siegman is overtaken by the technological revolution, and wonders if he is really ready for it.

Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.

Portrait fragments and communication among people during festival breaks. The picture is largely out of focus and the film does not have the original sound. The conversations are muted, experienced only through short details and the atmosphere.

Quarantine film of conversations with a gorilla. In the old films, Gorilla was a way for screenwriters to bring a surprising twist to the film if no other solution was invented. In modern times and in the current situation, the gorilla is inside you. The seeker will find if he wants to.

Lori relates her experiences before during and after the making of 'Caligula'

A conversation with Peter Bogdanovich about Mask.

Director Steven Spielberg discusses the making of his motion picture Duel (1971).

A conversation with Patty McCormack.

Filmmaker Eva Ziemsen was determined to interview renowned film director, Lars von Trier. Her provocative offer, to conduct the interview nude, led to a revealing and truthful conversation about filmmaking.

For generations, parents of black boys across the U.S. have rehearsed, dreaded and postponed œThe Conversation. But when their boys become teenagers, parents must decide how to handle discussions about race. In this short film originally published by The New York Times Op-Docs, parents reveal their struggles with telling their black sons that they may be targets of racial profiling by the police.

Superstar Usher gives us a look at his flashy Las Vegas show, discussing how he uses dancers, special guests, classic hits and even roller skating to create a unique experience for fans.

Eternal twilight, passing trains, a man's hunched figure walking in the fog, a smiling girl, shadows and silence that are related to each other… Under the infernal sounds-noisy, creaking, howling-there are words that " rub against each other, giving rise to something shaky, almost nonexistent." In the center of the metropolis, people with the" Cain seal " look for the forest and the sea to get lost,and there they stay. And death looks for people to look at, and finds them there… In the film by Valentina Antonova and Dmitry Mamulia, the 82-year-old founder of Russian "metaphysical realism" Yuri Mamleev plays himself shortly before his own death and as if before our eyes is preparing to move to another world.

The questioning of Jewish heritage and identity via the portrait of a diversed family, across Belgium and the United States.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.