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In a year that saw black women propel one of their own to the Executive Branch; the disproportionately affected by the pandemic; the tremendous job losses.
Short Dutch film
“A Conversation with Fess Parker” (17:05) is another interview, edited almost exactly like the previous, where Maltin visits the man who played Davy Crockett at his winery in California. Memories of how he got the part, what it was like to make the series and the reaction from fans are all recalled by Parker. This is a low-key documentary, but a very nice inclusion for the set. Next we find A Conversation With Fess Parker. For this 17-minute and five-second piece, Maltin visits the actor at his vineyard and restaurant, and the two reminisce about the series. We learn factoids that relate to the production, Parker’s casting, his memories of the actors and Walt, and a mix of other elements in this decent little interview. In addition to the shots of Maltin and Parker, we see some behind the scenes footage as well as stills and clips from the series. Note that though the DVD’s case lists interview pieces with Buddy Ebsen, these don’t appear.
Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase
This six minute interview with director Alejandro Jodorowsky can be found on the release of EL TOPO, his 1970 cult classic that many consider to be a masterpiece.
Conversation between Francis Ford Coppola and Martin Sheen about their experiences making Apocalypse Now.
Two amateur filmmakers decide to interview the Moon in order to understand what its life is like. This leads to a new perspective and a changed reality.
A sit down interview with Miller's Crossing cinematographer Barry Sonnenfield about the making of the Coen brothers' classic.
An interview with the producers of Monte Hellman's 1971 film TWO-LANE BLACKTOP.
We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.
Contactees are people who have experienced contact with extraterrestrials. Dr. Louis Turi had four such encounters. This documentary exams his encounters, his relationship with Astrology, and how he has accurately predicted several major world events.ri
In the wide-ranging interview, Mrs. Obama talks candidly about her marriage; her husband, former President Barack Obama; the pandemic; coping with low-grade depression stemming, in part, from the pandemic and political division in the country; President Joe Biden; and her new hobby.
REFUGEE CONVERSATIONS / PAKOLAISKESKUSTELUJA is a 90-minute documentary film. Its themes are: refugees, racism, xenophobia, Islam, Christianity and compassion — or the lack of it. What is the meaning and role of these in Finland, a country which according to many studies is the happiest country in the world?
Michael Uslan talks Batman with Dan DiDio , Dennis O'Neil and Scott Snyder (Writer). the group discusses what made them Batman fans.
Six of Japan’s emerging design talents collaborate with six models with diverse personalities and bodies, some accompanied by wheelchairs and prosthetic limbs. The Quest: to push the limits of fashion as we know it.
A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.
Lebanese filmmaker Dima El-Horr moved to Paris several years ago. Among the friends who stayed at home is the artist Sirvat Fazlian, whom she regularly visits in Beirut until the failed revolution of 2019, the COVID lockdown, the devastating port explosion and finally the dramatic economic crisis put a temporary end to their meetings. So the director decides to give her conversations with Siro a cinematic form.