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Experimental short
Adaptation of the play by Henrik Ibsen. Mexican version of " A Doll's House." A spendthrift wife hides from her banker husband that she is in debt to a dishonorable employee her husband has fired.
An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.
A grandmother and the house where she always lived.
Noise, his constant protest; and some panels, his only purpose. But this has already been news' headline in the news. Guided by chance, TOILET-HOME-VIOLIN tries to put pieces together to get to know the more everyday side of Joseba Olazabal.
In a peace agreement on the Argentine pampas in the mid-1800s, an Indian chief invited a group of soldiers from the border fort to his marriage, as a gesture of goodwill.
Bubu is a poet who has been committed to state institutions for the insane twelve times. He challenges the meaning of hospital-jails, hybrid institutions which sentence the insane to life imprisonment. The poem "The House of the Dead" was written during the filming of the documentary and reveals the forgotten deaths that occur in these judicial asylums. There are three stories in three acts of death. Jaime, Antonio, and Almerindo are anonymous men, considered dangers to society, whose punishment is the tragedy of suicide, the unending cycle of being committed to the asylum, or surviving life imprisonment in the house of the dead. Bubu is the narrator of his own life and also of his own destiny-death in the asylum.
On the morning of 10 March 2020 all Italians woke up in quarantine. Io Resto a Casa ("I Stay Home") depicts the filmmaker's first 14 days of the Italian lockdown, without ever leaving the house, made entirely on the web through the stories of five Youtubers and dozens of videos and photographs made and shared all over Italy. Fourteen days of fears, hopes, enthusiasm, boredom, normality and extraordinariness. Fourteen days that we will always remember.
Youth-com romance between a North American tourist and a young Mexican doctor.
Ivo and Tomás, two volunteered vagabonds who feed their souls of ways and great winds. From time to time they make a stop, renting their arms, the necessary time to be able to, provisions made, get on the road again. Once, with the sun at its peak and a burning heat, the desert that they are crossing seems to be endless. They run out of water… in the end of the day, without any strength left, they let themselves fall near to a dried bush. Ivo stares at the moon rising, as is saying farewell and whispering verses of a poem of a lawyer they’ve met before. It is then that he sees a far light. They set their way to that house…
António, Zé Maria, and João live in the house they are building. For two years, they reinitiate the process once or twice according to their work in the house. The changes in the bedrooms force constant changes in the living organization. The rooms change. Their habitants change as well. Time passes. The house comes to life.
I find myself in the middle of a Portuguese forest. A set of abandoned objects related to the attraction's fairs make me think of a schoolmate who wanted to be a ballet dancer. Bumper Cars and a rabbit I found in the forest sparked memories of the visits I made to the Fairs. Then I became a memories collector in contact with these objects. David, Empar, Manuel and Zé join me in this film.
