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The visit, in a hypnotic circular movement leading up to a final upward vertical one, starts with various photos of Hilst (taken by Fernando de Lemos and preserved in the house’s archival estate) to the sound of excerpts of her work read by Brazilian poet Júlia de Carvalho Hansen, with the purpose of enhancing the reflection on issues of sexuality and colonialism present in the political and poetic militancy of the Brazilian writer’s work.
The soccer stadium Arena Corinthians was constructed in São Paulo’s Itaquera district, approximating the club structures to the biggest stronghold of its fans. Through filming the official tour at the arena and interviewing Corinthians soccer team supporters that live on its margins, the film shows the dubious relation that takes place between them.
Looking down on her friends and family isn't a way of life for Mary Alice Young... it's a way of death. One day, in her perfect house, in the loveliest of suburbs, Mary Alice ended it all. Now she's taking us into the lives of her family, friends and neighbors, commenting from her elevated P.O.V.
Filmed in Vill'Alcina, A CASA DO LADO presents some narratives that are associated with a work that has marked successive generations of architects.
An old man overcoming his struggles to build a tower in order to reach his goal.
It all begins in 1919 in the countryside surrounding Bari, Apulia. From a rich farmer and his three concubines(two of them the sisters of his handyman and the third his maid) a complicated family is formed, in which paternity and maternity is occasionally uncertain. Twenty years later, the eldest of the group weds and flees to Bari. The rest of the relatives move - not only to the same city - but into the same building. Furthermore, the "tribe" expands with the addition of the in-laws of the first-born.
The life of orphans and juvenile delinquent boys sheltered and given special education at a charitable house founded by a Christian priest, Padre Américo.
A group of Italian priests struggle to convert a disused building into a church.
This documentary shows four Brazilians who were affected by the 2014 FIFA World Cup in different ways, from a woman selling street food by the stadiums to a man who was displaced by construction projects. It paints a social-political portrait of Brazil in this historical time - before, during and four years after the World Cup - and makes a commentary on FIFA, mega-events, and their long-term impacts on the host countries.
Maggy lives alone in a palatial home where she packs up boxes all day long. The moment has come for her to finally leave. Leave the gilded prison where she's lived for years under her ex-husband's yoke. Now, the kids are grown up and Maggy has received notice to leave the premises. She's never worked; she has no right to anything.
Documentary about two children who have been directly affected by wars in their respective countries. Six-year-old Murtaza took a landmine home to play with and it blew up in his hand, a familiar story in Afghanistan where one child is killed or injured every day by unexploded munitions. Fifteen-year-old Yagoub suffers from rheumatic heart disease, which if left untreated is life-threatening. Refugees from Sudan's 20 years of unrest, his family are unable to pay for treatment at the local hospital, giving him little more than six months to live. This moving film follows the stories of these two resilient boys and the efforts of the remarkable Italian NGO Emergency to give them back their futures. (Storyville)
Bubu is a poet who has been committed to state institutions for the insane twelve times. He challenges the meaning of hospital-jails, hybrid institutions which sentence the insane to life imprisonment. The poem "The House of the Dead" was written during the filming of the documentary and reveals the forgotten deaths that occur in these judicial asylums. There are three stories in three acts of death. Jaime, Antonio, and Almerindo are anonymous men, considered dangers to society, whose punishment is the tragedy of suicide, the unending cycle of being committed to the asylum, or surviving life imprisonment in the house of the dead. Bubu is the narrator of his own life and also of his own destiny-death in the asylum.