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An elderly trio tries to adjust to each other when they all move into an apartment in Rome. When Giovanni (Ricardo Cucciolla) inherits the unit, he invites the Russian immigrant Maria (Marina Vlady) and his shy friend from college Teo (Luigi Pistilli) to live with him. Maria tries to get Teo to marry her friend so she can receive Italian citizenship. The three do their best to live in harmony in this bittersweet drama.
A story by Mario Levrero and a mythical house in the Paraná Delta (Tigre - Argentina) conspire to shape this film, as two pieces that complement each other but without keeping a total synchronization. The voice-over becomes the common thread of a fantastic surreal story about strange events that occurred in an abandoned house. The action highlighted with the unique presence of insects, shadows, reflections and rain, proposes scenarios for the specific spaces in the story and invites you to recreate the characters and events narrated there.
Amidst the beauty and texture of the Italian countryside, Stefania and her husband celebrate her work as an accomplished writer.
Family reminiscences and a couple's memories are given a new meaning through sounds and pictures.
Jose is a biologist who suddenly needs to return to his hometown because his mother has passed away. She left him a large inheritance with a very important message: He must accomplish the expectations she had for him in life. Jose falls in love with Estela, his teenage neighbor, whose father has serious money problems and is also terribly sick.
Like Ty ty - memórias de beija flor, this short video by Denilson Baniwa projects the violence of colonisation onto an urban context, positing the transformed, devoted forest as a site of reinvention. Denilson Baniwa is an indigenous artist who was born in the village of Darí, in Rio Negro, Amazonas. He is an anthropophagous artist who he appropriates Western languages to decolonize them in his work.
Over the two and half years that he spent in the Casa de Santo Antonio in Lisbon, Philippe Costantini followed the arrivals and departures of very young mothers, from their pregnancy through to the first years with their child. At the centre of this small community of teenagers and their new-borns, the exclusively female staff see to it that the residents, whose family situations are chaotic, obey the rules. Keeping off-screen an often-mentioned violence, the film focuses on the daily lessons in mothering. What then emerges is everything that cannot be taught and which creates a fine dividing line between having a child and becoming a mother.
Two adopted children on their first day in the new house, find themselves alone and decide to investigate it.
The story revolves around Bebe (Santiago Bal) and Cacho (Tristan), two typical neighborhood boys who live different misfortunes in their constant search to conquer women. Bebe is half a blackmail and thinks he knows how to do them all, while Cacho is more shy and in love. Unexpectedly Bebe finds herself facing a relationship that advances faster than she thought, and that is why she decides to ask for some advice from her rogue neighbor, Don Carmelo (Darío Vittori), a veteran punguista who is in a couple with a beautiful woman much younger. Thus the plot is taking place between entanglements, alleged infidelities and an imminent marriage that no one expected.
The story of a family over fifty years, told without leaving the hall of their home.
Documentation of the production of cassava flour, a basic component in northeastern Brazilian food.