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Manuel João Vieira shows us his home - or homes - and the characters who live there. The starting point is the characters' definition and the Casa Manuel Vieira exhibition. The Italian neighbour and the accidental tourist help us create scenarios on the man and the artist. In short, it is Manuel João Vieira and his rather particular working universe.
Algiers, 2015. Adlan and Terrorist navigate the Sacré Coeur neighborhood, desperately trying to make a few dinars.
A fire rages in the woods near a village. This fire triggers a memory in a lonely, middle-aged woman, which pushes her to utter aloud the words she's always wanted to say.
A radio station offers a reward to anyone who can stay in a notorious haunted house overnight; a group of young people tries to collect.
For the End of Time is a film about the mind… a film about the body and our inability to merge these two entities which are shaping a form of civilization known under the term “human”. A human is not a being unto itself. A human is a construct… a civilization-related coding of a certain precise time and place. A human is not a uniform creature. A human is a split between many things… but the worst is the split carried inside… that between the mind and the body… How can we feel others, if the only universe that an individual truly lives in and feels is his or her own universe? How can you feel for the other… How can the other feel for you? Only as much as the pain of the other resembles yours – thus as a reminiscence of one’s own pain. This is the only way. For the End of Time is a film on a quest… for the eternal longing “to find the real thing.
Maria wakes up in the morning and notices that her house has been vandalized. Now, Maria is forced to relive the past in order to change the future and rebuild her home.
A locked up house where one can play, windows opened, the stone house, a wedding dress, the plants no-one takes care of for months, goats, pigs and horses, rainy days and the pool left unused, the husband who went clandestinely to France, the tree-house to be built, round gates they didn’t let us do, upward mattresses to protect against the dampness, the house build for some 30 years and the unfinished house, the house of our dreams. It’s summertime, the month of August, in Vascões, North of Portugal. Many of the houses of emigrants, empty during the rest of the year, are once more inhabited. We visit six of them, guided by the stories of those who built them.
Căpălău, a peasant in a village near Brăila, tries to keep up with the turns of life. Based on "Ningea în Bărăgan” novel by Fănuș Neagu.
In New Year's Eve, Dan, a pilot, picks up a stranded woman at the airport and they head together to his cabin, where they will meet unexpectedly his ex and her new partner.
A film about an institution called "House of Theater", which lodged retired and forgotten artists and is the home of Oscar, a convalescing actor who longs to reunite with his son.
Casa Na Comporta is one of four films commissioned to different directors for the Portuguese architecture national exhibition at the Venice Biennale.
A retired carpenter waits for his family's visit, but they don't show up. The gardener of the home he lives in, offers him a lift home; but when he gets there, a surprise puts his memories in check.
Seven episodes tell the story of the exciting life of legendary charmer Casanova.