A Caixa

Earth is just a place. But it's not even a normal place, as most of the cosmos is empty. Normal is the vast and immense void, cold and universal, the eternal night of space in comparison with which the stars, its planets, already appear as something painfully rare and precious. If we were dropped at random into the cosmos, the probability that we would appear on the planet or even in its vicinity would be less than a part of a billion, a billion, a billion.

Two actors and a team hitch-hike along with friends and strangers, through the north of Portugal. The itinerary is a set of locations as random as the film is desired to be. There isn’t a movie yet. The idea develops as expectations change and dialogues are built, naturally, in each location.

Well, all those headlines, they just bore me now I'm deep inside myself, but I'll get out somehow And I'll stand before you, and I'll bring a smile to your eyes Motion pictures, motion pictures

Locked up for decades in a maximum security prison, an old man tries to revive his glory days as a magician, putting into practice a perfect - but also very dangerous - escape plan.

Short film about two friends.

Short movie about a guy walking on the street holding a box.

Documentary about the plastic artist F͟a͟r͟n͟e͟s͟e de Andrade, who builds objects 'assemblages' from the meeting of several raw materials: antique pieces, boxes, oratories, fragments, images, dolls, etc. The camera accompanies him in his task of collecting these elements, then in the fabrication of an object, observing it inside his house and finally contemplating the result of creation. On the trail, in off, a testimonial with the confidences of the artist.

Individual, anonymous 30-second statements filmed in video camera-equipped booths set up at different locations in the city of Rio de Janeiro. No specific questions were asked; participants expressed themselves freely on assorted topics.

Ensign João Viegas was arrested and sent to fight in the Guinea War during the Salazar dictatorship in Portugal for protesting the regime through theater. Viegas was part of the direction of the Círculo de Iniciação Teatral da Academia de Coimbra (CITAC), an experimental theater group, during a time when the International Police and State Defense (PIDE) had no qualms about censoring anyone who tried to oppose Salazar's regime. After his arrest, the PIDE banned the CITAC. The group only resumed operations after the Carnation Revolution. Decades later, Viegas returned to CITAC to reveal stories of the war and show how PIDE operated. In this re-encounter with History, which the short film “Caixa Preta” reveals, we discover Viegas’ motivations and thinking.

To open a photographs box is to travel through past and present, thinking about the future.

The man, the concrete and the imprecision around what nature is. An investigation about image, femininity and colonialism.

Galician writer Xavier Queipo is getting ready to move back to his homeland after more than 30 years of living in Brussels. He empties his house and puts his memories in boxes the removal company loads onto their truck to take them to Spain. Another Galician man, the filmmaker Hugo Amoedo, who is based in Brussels, too, wonders whether and when he’ll be back in his homeland. In the meantime, he teaches his son to ride a bike, wonders, dreams, struggles to unravel ideas for films, and argues with the clerks of the Brussels post.