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A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.
An airplane pilot is hired to transport what he thinks are antiques, but when the police suspects there might be something more to it he sees himself in trouble with everyone involved.
"This piece –the number 8 inscribed within a chequerboard of marble and dry ice blocks– was inspired by the fact that, in all Indo-European languages (apart from the Slavic languages), the words for night and eight only differ in the negating n at the start: in Spanish, noche-ocho; in French, nuit-huit; in Italian, notte-otto; in German, Nacht-acht... I was fascinated by the way dry ice disappears without a trace, a flirtation with the remnants of a process which, in this case, can only be seen in language. Sometimes, language is the only place that retains the built-up layers of changes in consciousness, and this is one such example. The number eight –which comes up frequently in mythological thinking– thus becomes a figure that recalls a time of consciousness before the birth of opposites and dialectics." - Eva Lootz
Fishy businessman deposits some money in his secretary’s (and lover) account. But a typing mistake sends the money to an honest woman’s account, whose husband had just been fired.
Earth is just a place. But it's not even a normal place, as most of the cosmos is empty. Normal is the vast and immense void, cold and universal, the eternal night of space in comparison with which the stars, its planets, already appear as something painfully rare and precious. If we were dropped at random into the cosmos, the probability that we would appear on the planet or even in its vicinity would be less than a part of a billion, a billion, a billion.
Two actors and a team hitch-hike along with friends and strangers, through the north of Portugal. The itinerary is a set of locations as random as the film is desired to be. There isn’t a movie yet. The idea develops as expectations change and dialogues are built, naturally, in each location.
Short film about two friends.
Short movie about a guy walking on the street holding a box.
Ensign João Viegas was arrested and sent to fight in the Guinea War during the Salazar dictatorship in Portugal for protesting the regime through theater. Viegas was part of the direction of the Círculo de Iniciação Teatral da Academia de Coimbra (CITAC), an experimental theater group, during a time when the International Police and State Defense (PIDE) had no qualms about censoring anyone who tried to oppose Salazar's regime. After his arrest, the PIDE banned the CITAC. The group only resumed operations after the Carnation Revolution. Decades later, Viegas returned to CITAC to reveal stories of the war and show how PIDE operated. In this re-encounter with History, which the short film “Caixa Preta” reveals, we discover Viegas’ motivations and thinking.
The man, the concrete and the imprecision around what nature is. An investigation about image, femininity and colonialism.
Well, all those headlines, they just bore me now I'm deep inside myself, but I'll get out somehow And I'll stand before you, and I'll bring a smile to your eyes Motion pictures, motion pictures
To open a photographs box is to travel through past and present, thinking about the future.