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Megumi, age 28, decides to join marriage agency compelled by the thought of being alone for the rest of her life. One day, Megumi is shocked. She was mistaken as Satoko Koyama (age 42) by her boss. There are gossips about Satoko being single and lonely. She driven by the fear of not getting married by the appropriate time, But she can't find the right person and gets tired of marriage hunting because she doesn't face herself seriously. One day, she is invited to Satoko's home accidentally.
In 1993, Washington DC area indie rock band Lorelei went on tour to England, before even their first EP had been released (only a single so far). It's not Spinal Tap, but things did not go as planned for the band. The doc mixes performance footage with some on-the-road moments.
Documentary filmed in New York City during the COVID-19 pandemic and its aftermath. A Latinx look at one of the most important cities in the world, which was the epicenter of the pandemic. Thirteen testimonies that tell in the flesh what they lived through and how they survived. The coronavirus pandemic has had a disproportionate impact on Latinx communities. Latinos died from COVID-19 at twice the rate of white New Yorkers.
Shot during the summer of 2005, this enigmatic film was the second collaboration between Saint Etienne and director Paul Kelly. It follows a young paperboy's adventure across London's last remaining wilderness in the Lea Valley on the eve of the Olympic development. A poetic ode to a metropolitan hinterland that has been forever changed by the impact of the 2012 Olympics games.
The Eton Manor Boys Club in Hackney Wick and the two time Olympic gold medal winning boxer Harry Mallin as told by himself and the club's founder Arthur Villiers. A true story.
Dave draws the first page of his comic book and excitedly shows it to his friend Lei Lei. Lei Lei is not impressed.
Margaret is an international renowned composer who witnesses the violent accidental death of her partner - and becomes convinced her spirit is still within the house. In the search for an answer, she composes a suite of new music to drive the spectre out from the shadows. In doing so, she evokes her own deep unresolved pain and guilt - and what she's afraid to confront about her own feelings for someone else....
Noelle leaves home and the influence of her mother, Pastor Jones, to attend college in this sequel to the popular Christian-themed drama. But conflicts arise that cause Noelle to question her faith. Between dealing with the conservative aunt she now lives with, pressure from a new friend with a big secret and meeting a boy she likes, Noelle's life quickly becomes complicated.
The first installment of a trilogy of the most terrifying haunted spots across the Kansai region! Chasing the unexplained objects and mysteries shown in the posted video, the crew ventured into the Kansai region where the video was shot.
This time, the guests are Yumiki Hoshino, a member of the Psychic Detective Agency, and Mr. Sakurai, the director of the Ghost Story Library, making up an iron-clad lineup for the program's first UFO location shoot! They hit the most terrifying spots combining spirits and UFOs!
This is a special edition of a horror documentary by the Psychic Detective Agency led by Makoto Kitano, one of the most famous ghost hunters in the entertainment industry. They succeeded in renting a room in a building, known as a "ghost apartment," where Kitano Makoto has experienced strange phenomena whenever he has visited. A fixed-point camera is placed in the room, and a long-term filming experiment is conducted.
A feisty, wealthy woman with a sixth sense (Deannie Yip), at odds with her son-in-law (Chi Wah Wong), must go through many lengths to save her daughter Lisa (Anita Yuen) from the restless ghost of Chan May Ping (Yolinda Lam). Ping committed suicide due to an unfaithful husband, and her ghost wants to take over Lisa's pregnant body for her reincarnation.
You Don’t Have to Go Home, but . . . is an ode to dancing bodies, a grimy love letter to Philadelphia, a story about what to do when the DJ has played the last song, the club’s lights have come on and you gotta go . . . somewhere. Following three dancers at different stages of their lives, with legendary Philly dance party Second Sundae as backdrop, this documentary film examines the possibility of spiritual fulfillment in a socioeconomic configuration that ultimately doesn’t value the practices that make us free.
It tells the story of Illidan's king Malfurion Karimdor Kil'jaeden and ordinary high school student Lu Hani, from accidentally meeting to becoming friends, the gap between the two people's life experience from childhood to old age. adult. There were many contradictions between them.
Don't You Be Afraid was recorded in the middle of a heat wave in Los Angeles in 2010. Mike Muratore's style has earned him the moniker "The Serial Killer of Comedy". Find out why by watching this comedy special.
A group of amateur crime solvers as they take a trip to an infamous campsite to investigate an unsolved murder. When the group wakes up the next morning, they find themselves in 1991, days before the murder took place, with a mysterious killer on the loose.
labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.
Two worlds collide for the last time to settle unfinished business in the desert. The heartbroken Maya seeks answers from her inevitable twin-flame of this life, the stoic Adrian. Things left unsaid are provided an opportunity for closure. But it's the last lake that holds the key between a past life and setting it free.
"Put the money in the suitcase. No coming back. The winner takes all." These are the game rules these five players have to follow - What can go wrong during a poker game?
The film chronicles the beginning of an anxiety spiral when Kasia’s mom doesn’t come home, and won’t answer her phone. She jumps to the worst case conclusion that her mother might never come home and prepares to take on the responsibilities left behind. As her catastrophizing escalates, she begins to consider her mother’s affect on her, and with the help of a semi-conscious stress ball, explores her fears in a world without her mother, but also the possibility that she may finally be free from a codependent relationship.