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Druggist George Haggerty's wife is about to give birth. Because all his customers pay on credit, he has no money, and the phone company is taking out the pay phone. Pal Bert Lahr agrees to get the news on his phone, and forward it to Haggerty. To top it off, Haggerty is getting a business loan, and doesn't want anyone to know about it, so Lahr agrees to not mention it when anyone is about. Naturally, Lahr's fiancee shows up when Lahr gets the call, and thinks it's his child.
Amelie goes to her psychiatrist to talk about her visions that only happens when she closes her eyes.
Story revolves around adultery, with Pamela (Elaine Edwards) having a problem explaining her indiscretion to stepdaughter Susan (Mary Lindsay). Matters escalate when Calvin goes after Susan, too.
How Are You Feeling? by David Shrigley
"A socially anxious college student reluctantly heads to a party attempting to make new friends. Nande Walters directs “Who Are You Really?”, an experimental portrait of insecurity characterized by a raw, youthful energy. Anya walks into the room and immediately feels like everyone is judging her. Eventually she strikes up a conversation with a young man, but neither really knows what to say and it doesn’t go anywhere. After struggling through the awkward night, she’s surprised to learn that an extroverted friend didn’t fare much better. Walters is only 19 years old, one of the youngest we’ve ever featured on NoBudge, and her film is the work of an artist still learning her craft but she clearly knows the feeling she’s after and captures it with pops of style and a touching closing monologue." -Kentucker Audley
We all know better than to click on a pop-up ad promising us thousands of dollars. We all know better than to go into debt. We all know better than to take a job that promises easy cash. But we all make mistakes, and Melissa Howell (Katherine Cullen) has somehow found herself at the intersection of broke and desperate. While ignoring calls from a debt-collection agency, she takes a job at as a quasi-telemarketer, selling vacation packages to people who call in thinking they’ve won a cash prize. At job orientation, she meets her gratingly enthusiastic boss Frances (“you can call me Fran”), played by Erika Batdorf, and a happily spacey co-worker, played by Lesley Loksi Chan.
How Old Are You? is a 1914 Comedy short
An experimental short film shot on 16mm, created with analog editing and direct animation, about Taemong, Korean conception dreams, exploring the relationship between culture, motherhood, future, and gender.
Safa’s been through a lot. Now her car battery's dead in a strip mall parking lot.
Jeff Chiba talks about his early life in white-bred Kelowna, BC, Canada.
A party, chatting, mingling. The protagonist wears a mask to fit in. As they try to adapt to the changing atmosphere by adding additional layers, they fail and are left isolated. A personal exploration of the pressure to assimilate and perform cultural identity.
Angie must pack up her sister's home after she takes her life.
Abandoned in an orphanage, subsequently adopted by wealthy Mr. Mohanto and Gayetri, Gopal Mohanto lives a wealthy lifestyle in Guwahati. His foster mother is often cruel to him, and he runs away to Bombay, where he meets some youth in his age group and starts earning money delivering newspapers under the supervision of Badru. One day he finds some money belonging to Bollywood actress, Shalini, and returns it to her.
XX and XY find themselves struggling against oblivion, while an external entity referred to as ‘The Rose’, infringes their identities. The hows and whys are not applicable, although XX and XY claim that ‘The Rose’ distorts their understanding of the roles they've occupied.
Marshall Bell talks about The Vagrant.
Join an intimate chat over drinks with Lui, Ben and Stella as they explore the labels used within the LGBTQIA+ community when online dating such as poly, tops, bottoms, vers, bears and twinks. We often use labels to find tribes and self-identify sexual interests but does this pigeon-hole relationships?
Precarious party singer Joy navigates life and an unfilled prescription.
A woman in financial straits takes a job at a fly-by-night call center, where she finds that desperation alone won’t turn her into a successful salesperson. The script used in the call center was taken from a real-life job interview the director attended while looking for a summer job in college.
Two fuzzy creatures can't agree on who is small and who is big, until a couple of surprise guests show up, settling it once and for all! An original and very funny story about size - it all depends on who's standing next to you.
This film details how the domestic and foreign economic elite, by creating despotic rule under the guise of Liberalism, use and control socialist and capitalist revolutions.