Wir

Juggling a never-ending barrage of responsibilities, parents and business owners Maik and Linh are occupied with money worries and their marriage is at the bottom of their to-do list. As Linh reveals the true extent of their shocking fi nancial situation, they both take on second jobs. Inevitably, the stress of the situation further damages their marriage and old confl icts start to resurface. In a fi nal bid to save them, Maik decides with a heavy heart to sell their business. But just as they’re about to lose everything they’ve worked for, will a close friend be their salvation ?

A summer trip to Berlin offers a fleeting glimpse into the lives of the country's youth in this vibrant, character-driven drama from director Martin Gypkens. When twentysomething Florian arrives in town to pay a visit to long-lost pal Pit, the duo quickly reminisce before heading out to a party. Soon meeting up with many of Pit's acquaintances, the film follows various intersecting lives as they are woven to create an intricate, microcosmic look at life's ups and downs as seen through the eyes of Germany's youth.

Young Tomek is fascinated by his sweet and friendly mother, Anna, an attractive widow. She takes care of her son carefully, and in the evenings debates with her girlfriend Roza, a free and childless woman. But due to poor financial conditions he is sent to a boarding school where he wouldn't stay long; he must return home because his mother died. After returning, a surprise is waiting for him in the form of a little brother. He decides to take care of him and finds a job and a likely little boy's father who comes to claim his rights, decides to leave the house. When he visits the priest, he discovers that not only his brother is an illegitimate child. And Roza searches for comfort in his arms.

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.

The director asks in a very personal way whether one should still dream.

Clinical psychologist Dr Tony Hill's uncanny ability to see into the minds of murderers means he finds it difficult to distance himself from disturbing cases.

Cybernetics engineer Fred Stiller uncovers a massive corporate conspiracy involving a virtual reality computer project.

Wire Service is an American drama series that aired on ABC as part of its 1956-57 season lineup.