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A high school freshman, Mi-ran, trips on the rope while practicing group jump roping for the school field day. Mi-ran’s novice homeroom teacher, Chae-young, replaces Mir-ran with another student, and Mi-ran feels confused. The next day, Mi-ran trips on the rope again. After arguing with Chae-young, Mi-ran makes a decision that can never be reversed.
An Egyptian couple employed by a circus is bored. When the couple is introduced to a new show: "The Wheel", hope and excitement for a reignited passion in their lives returns.
A story about an armored train, number 56, and its actions during WWII.
Rana, a sex worker, had an unexpected moment on her 25th birthday. Almost killed by her pimp, rlRana was saved by a stranger named Awan. They took refuge at a rented room where they argued about the problem they're having. Then, Rana realized what happened to her was her birthday wish coming true. Just like a Jentera, a wheel spinning on the same axis.
A journey through the images and the sounds of Puebla, guided by the bicycle of a knife sharpener, that narrate us fragments of his life.
“Wheels” is a film about relative motion as described by Descartes: if 2 objects are moving in the same direction and speed they seem to be still between each other. Inspired by Duchampian tradition, Pedro and João filmed a short chronicle of curved means of transportation in the tropics. Overlaying directly on the negative (camera editing) the feat of paradoxically freezing a moving bicycle wheel, a car wheel and anamorphic depiction of tire, João and Pedro constate that for that to happen everything else must be perceived as a gyroscope.
Marc is an intern in the prestigious neuroscience lab of Professor Georges Erwin. He is working on an experiment that enables to make people laugh, and, in term, maybe to control one's emotions. He has met Elsa, a first year student in the school where he works. The young woman troubles him. One night, he offers her to try his device, but she starts crying instead of laughing... Bewildered and embarrassed, he does not know if he should report this unusual reaction to his professor. And that is when he discovers that Elsa has a tumultuous and secret relationship with the eminent George Erwin...
A junior high school girl suffers from love.
Colorful impression for the youngest spectators explaining the differences between the circle and the ball, and showing the possibility of turning the circle into an ellipse.
A forced disappearance doesn't only end with the life of the person who has disappeared, but generates, like the ripples of a stone thrown into water, an enormous emotional scar in their families and in society. In the early 80s, José Miguel Etxeberria Álvarez, alias 'Naparra', a member of the Autonomous Anti-capitalist Commandos, was disappeared. Between crossed statements, numerous vindications and judicial indifference, his family will try to find an answer for his disappearance. More than forty years later, Eneko has taken up the baton of the search for his brother to close the wound that has remained open for so many years.
The house, the parents, the ravaged city streets and the stream of thoughts. This is the first self-isolation that is not self-initiated. Only one apocalypse was mandatory to bring us closer.
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.
The film depicts one working day in the lives of travelling workers in different parts of Croatia: Baranja, Slavonia, Zagorje, Kvarner and Banovina. Through interviews and by employing the so-called friendly-camera method, the director portrays these exhausted, sleepy people and their dreary daily grind. Their lives are particularly well reflected in the early morning scenes of salesmen asleep in the most peculiar places and in the most curious ways: leaning against a fence or a wall, sitting on the railway tracks.
In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice
The coexistence of a family of drag queens and a trans woman who travel by motor-home to Murcia to show their support for a child who was assaulted by another minor at the gates of his school.
Silhouette film illustrating the growth of wheeled traffic from the earliest tim es to the modern car.
"Duchamp is certainly as complex as Joyce and to do something about him, I tried to dedicate to him this small film poem, using only a few images of images of his work, taken always from books and catalogues (that are made of typographic ink). For example, blackening in the spokes of a wheel, allowing regular slits, transforming it in this way into a true external shutter, that came to substitute for the missing one of my movie camera. A bicycle wheel that becomes cinema and vice versa. For example, his black window that is transformed into a number of tv screens, etc. With Duchamp I think I could make a film for every one of his works because intelligence, irony and alchemy are all proper to the cinema."
Odyssey of a man charged with taking a corpse to the neighboring village.