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'Gideon: Searching for the truth' takes the viewer with Van Meijeren on his quest for answers to questions about the current global health crisis. Questions that are common among the population, but to which he, and therefore the people in the country, do not get an answer in the Dutch House of Representatives. A place where Van Meijeren says he often feels like 'crying in the desert'. Where he gets no answers to his 'justifiably pressing' questions. Where instead he is invariably framed and judged by form, which makes any form of democratic debate impossible in advance.
This history talks about two different ways of seen a terrible situation. One is about guilty, how some times we are so inside ourselves that we don't realize that the people near to us could be feeling terribly bad. But it also shows that sometimes we feel guilty about something that wasn't in our hands.
2020 became the year of uncertainty and fear: pandemic and fight against it, murders and disapperances of children, gender violence and impunity. We feel our own vulnerability, worry for ourselves and our loved ones. We want to guard and protect. We are ready to sacrifice a part of our freedom for an illusion of control.
A person loses something very important. A friend who was always there, who was ready to prompt and support in difficult times. A friend who couldn't be saved. A friend who is buried in tears, and then remembered over a drunken feast with kind words. This friend is a TV.
Hong Kong movie
Hot summer days are passing by. Postgraduate student, Gyeong-ju, will not be able to get the degree when the semester ends. Consequently, she might be fired from her part-time job which requires her to graduate. For Gyeong-ju, who shoots only character-based, non-mainstream films with slow rhythm, the professor and the people around her suggest shooting a popular, commercial, mainstream film. However, she finds it difficult to write such a story. In the meantime, Gyeong-ju gets to read a scenario of her student, Ye-Bin, at her request. It is a scenario that suits the criteria of popular, mainstream films, and Gyeong-ju feels tempted.
"The Road to Truth" is a film dedicated to Lech Wałęsa composed of materials from Polish Film Chronicles, fragments of documentaries from the 1980s, and previously unpublished materials that, for various reasons, have never been shown to a wider audience. Audiovisual materials describe, among others: events around the signing of the August Agreements and the registration of "Solidarity", the inauguration of the Round Table (here are photos rather from the sidelines of the meeting), George Bush's visit to Poland, the private life of the Wałęsas.
Three men are united around the coffin of a woman they have never seen before. They have been summoned to the morgue by their old school-friend, now a factory boss, who promised the old, lonely lady a decent funeral.
Marina Gusko grew up in Azerbaijan and considered it her homeland. Became a teacher because in the sixties it was a promising profession. She married Volodya, believing that this is true love. Gave birth to children and hoped that they will have a bright future. She sincerely believed in the Soviet ideals and had no doubt that her life will not disappoint.
The wind will bring us an imperfect future in which they will never be able to touch them again.
It is 1416, 13 years after Timur's victory over the Ottoman Empire at the Battle of Ankara. Çelebi Mehmed emerged victorious from the struggle for the Ottoman throne. Although the dispute for the throne is now over, the rural population is overwhelmed by a high tax burden, making them increasingly poor.
A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.
Sexual abuses, mental manipulation and embezzlement: Tibetan Buddhism is shaken by serious scandals. An in-depth account that lifts the veil on the unspiritual underbelly of a religion venerated in Europe.
Experts explain where fakes on the Internet come from. Topical dock with the participation of biologist Alexander Panchin.
Parrhesia laid the foundations for Ancient Greek Democracy. Parrhesiastes is a person who speaks freely and boldly. The one who has the moral obligation to tell the truth for the common good. Through expressing the truth Parrhesiastes knowingly put himself under personal risk. The hero of the Documentary is an Estonian Parrhesiastes Einar Laigna. A former high ranking officer of the army, who has retired to an abandoned medieval Monastery. Using the half ruined Monastery as a cockpit, he launches his stinging and ironical verbal attacks on the insanity and irrationality of a modern world. "The truth is swirling inside me, looking for a way out "says the hero of this film. "Through expressing the truth with courage and conviction, I protect my inner freedom."
Eduard Grečner. Film director, dramaturge, publicist and poet. A talented fi lmmaker with precise artistic goals which, due to circumstances and the times, he was not always able to realise. Refl ections on the ideological and aesthetic starting points he consecutively followed during his creative career, [as well as] on the meaning and mission of art and the principles that art should never abandon. [It is] about reality limiting the freedom of artistic expression, confl icts with power and the consequences that Eduard Grečner – a human being and an artist – decided to face without ever compromising his own views and conscience, because the truth is all there is.
This is the drama of a father who, as a member of the PCI and following Pope Pius XII’s decree, cannot participate in his daughter’s First Communion. Alone and excluded from the faithful, he watches the celebrations from afar.
A passenger train derailment occurred on August 17, 1949. In the aftermath, it was suspected that Communist sympathizers were responsible and people involved in an ongoing labor dispute were rounded up and put on trial. Starting from the premise that unjust verdicts were handed down in both the initial trial and on appeal, this film sets out to investigate the truth.
In Varja Mocnik's documentary, members of former Yugoslav rock band Buldozer, their friends and fans reminisce about the time of the release of the band's debut album Pljuni istini u oci (1975). Their accounts interlace with fictitious scenes, the record artwork, archive material and animation, to ultimately come together into an inventive, surrealist film that speaks not just of the legendary album, but also of the society and reality of the time.
Documentary on how the reporter or HRT (Croatian Radio Television) died on 28th of August 1991 when the members JNA (Yugoslav Peoples Army) fired on him in the Osijek residence of Brijest. Kaić worked for HRT for over 20 years creating a row of amazing shows, His life can not be boiled down to one shot,even though that is the shot of truth. After the murder of Gordan Lederer,murder of Žarko Kaić in Osijek showed the entire world how much the hatred towards the truth had been contained in the Serbian-Chetnik Aggression on Croatia. Žarko Kaić voluntarily went into the Croatian Civil War as the witness of the truth. The shot from the tank of JNA (Yugoslav Peoples Army),was the shot to the truth about the Croatian Civil War in the 90s The recordings of Žarko Kaić prove that.